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180 Gram Vinyl

These Audiophile 180 Gram Limited Edition, High-Definition Virgin Vinyl Pressings are the nicest thing you can do for your stylus and ears. These are the ultimate, superior fidelity records giving you the experience of listening to music the way it was meant to be heard. The Music simply erupts out of total silence from these thick 180 Gram Virgin Vinyl discs with the velvety smoothness, spaciousness, and ultra High-Resolution that stuns even the most committed CD die-hard.

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"Lynyrd Skynyrd, Street Survivors - 180 Gram - CURRENTLY SOLD OUT" - Product Image
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"Lynyrd Skynyrd, Street Survivors - 180 Gram - CURRENTLY SOLD OUT"

180 Gram Limited Edition Analog Virgin Vinyl. This album appeared in stores just days before Lynyrd Skynyrd's touring plane crashed, tragically killing many members of the band, including lead singer and songwriter Ronnie VanZant. Due to the tragedy, this album never got its due respect, but if that plane had never crashed this album would have placed the band back at the forefront of southern rock. Tracks Include: "What's Your Name" "That Smell" "One More Time" "I Know a Little" "You Got That Right" "I Never Dreamed" "Honky Tonk Night Time Man" "Ain't No Good Life"
SKU Number: FOLP 115351
Price: $124.99 
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"Marvin Gaye, Let's Get It On" - Product Image
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"Marvin Gaye, Let's Get It On"

180 Gram Pressed Limited Edition Analog Virgin Vinyl. After the success of "What's Going On" Marvin Gaye moved away from social issues to issues of the flesh. "Let's Get It On" finds him singing about sex, not just about the physical pleasure one gets, but on a spiritual level. Tracks include: "Let's Get It On" "Please Stay (Once You Go Away)" "It I Should Die Tonight" "Keep Getting'It On" "Come Get To This" "Distant Lover" "You Sure Love To Ball" "Just To Keep You Satisfied"
SKU Number: DOLP TMLA329H
Price: $24.99 
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"Marvin Gaye, Let's Get It On" - Product Image
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"Marvin Gaye, Let's Get It On"

180 Gram Foreign Pressed Limited Edition Analog Virgin Vinyl. After the success of "What's Going On" Marvin Gaye moved away from social issues to issues of the flesh. "Let's Get It On" finds him singing about sex, not just about the physical pleasure one gets, but on a spiritual level. Tracks include: "Let's Get It On" "Please Stay (Once You Go Away)" "It I Should Die Tonight" "Keep Getting'It On" "Come Get To This" "Distant Lover" "You Sure Love To Ball" "Just To Keep You Satisfied"
SKU Number: FOLP AUNI 5300551
Price: $24.99 
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"Marvin Gaye, Trouble Man Soundtrack" - Product Image
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"Marvin Gaye, Trouble Man Soundtrack"

Marvin Gaye/TROUBLE MAN 180 Gram LP If you have a taste for soul/jazz and want to hear a different side of Marvin, pick this one up. Come to think of it, anyone with a taste for good music should own this one - you can use it as background music, you can listen to it intensly, you can dance to it...it's an all around great one. Don't confuse it with Shaft or any of the other early '70s soundtrack recordings though. It's very different from all that. Tracks include: . Main Theme from Trouble Man (2) - "T" Plays It Cool - Poor Abbey Walsh -. Break In (Police Shoot Big) -. Cleo's Apartment -. Trouble Man - Theme from Trouble Man - "T" Stands for Trouble - Main Theme from Trouble Man (1) - Life Is a Gamble - Deep in It 12. Don't Mess With Mister T. -. There Goes Mister "T" - All selections written and produced by Marvin Gaye.
SKU Number: 1322L
Price: $24.99 
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"Marvin Gaye, What's Going On" - Product Image
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"Marvin Gaye, What's Going On"

180 Gram Limited Edition Analog Virgin Vinyl, voted the #4 album of all time. The nine songs all play like a hit single. The title track--inspired by his brother's return from the Vietnam War--and the obvious social commentary of "Inner City Blues (Make Me Wanna Holler)" and "Mercy Mercy Me (The Ecology)" actually were hit singles. Two other tracks ("Wholly Holy" and "Save the Children") would inspire hit covers by Aretha Franklin and Diana Ross, respectively. Nevertheless, "What's Going On" sounds as fresh today as it did the week that it came out.
SKU Number: DOLP MOT310H
Price: $24.99 
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"Matthew Sweet, Blue Sky On Mars (Signed by Matthew Sweet)" - Product Image
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"Matthew Sweet, Blue Sky On Mars (Signed by Matthew Sweet)"

MATTHEW SWEET - BLUE SKY ON MARS - ORIGINAL ZOO ENTERTAINMENT AUDIOPHILE 1997 1st Generation/Edition audiophile pressing WITH THE ORIGINAL STICKER STATING SIGNED BY MATTHEW SWEET Out of Print in this masterpiece and you will be one of the last people in the world to own this pressing. It's a Sonic Gem. THIS PRESSING IS SELLING FOR $150 AT THE LARGEST AUDIOPHILE VINYL SITE IN THE WORLD. THAT'S HOW HIGHLY THEY GRADE THIS PRESSING AND HERE IT IS SEALED AT THIS PRICE. DON'T MISS OUT If you are a collector of the top 100 Albums and Singles in rock N Roll history this pressing is a must for your collection. Don't Miss Out. Don't Miss Out on on being one of the last people in the world to own this Vinyl masterpiece (which is selling for double this amount at the only other auduiphile dealer who has this pressing left). BLUE SKY ON MARS - Matthew Sweet's melodic hooks fit so perfectly inside his rhythm grooves that together they acquire an irresistible logic. Sweet's Beatlesque confections avoid sentimentality thanks to the streetwise toughness he gleaned from his connections to such New York punk bands as Television and the Voidoids. If Sweet's melodies evoke an optimistic yearning for love, the words suggest that such connections are hard to come by. Sweet's debt to the Beach Boys is superficially obvious on the hot-rod tempo of "Come to California" and the amusement-park flavor of "Make Believe." Sweet really captures the essence of Brian Wilson's art, though, on songs such as "Behind the Smile," where he admits, "I haven't been a good friend for a long, long time; you know I wasn't happy behind the smile." Countering this confession are swelling, soaring harmonies that suggest that friendship and happiness are still the goals. Track Listings 1. Come to California 2. Back to You 3. Where You Get Love 4. Hollow 5. Behind the Smile 6. Until You Break 7. Over It 8. Heaven and Earth 9. All over My Head 10. Into Your Drug 11. Make Believe 12. Missing Time ABSOLUTELY ONE OF THE BEST ALBUMS OF ALL-TIME. Mymusicfix has been told we have the best collection of Rare, Out of Print music collectibles on E-Bay. International Buyers - Please Note: Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying. Note: It's illegal to falsify customs declarations or mark an item as a "gift" in order to avoid customs fees INTERNATIONAL BUYERS NEED TO BE AWARE OF THE CUSTOM'S TAXES IN THEIR OWN COUNTRY AND KNOW THEY (AS THE BUYER) ARE RESPONSIBLE FOR CUSTOMS TAXES. OUT OF PRINT PRODUCT is IRREPLACEABLE and therefore NOT RETURNABLE. USA SHIPPING: We box/package protectively - Ship UPS Ground/Insured within Continental USA - Hawaii/Alaska by mail. We accept PayPal ONLY WITH CONFIRMED SHIPPING ADDRESS INT'L SHIPPING: We box/package protectively for safe world-wide shipping. When accepting PayPal, ship ONLY WITH EXPRESS MAIL FULLY INSURED or PRIORITY MAIL FULLY INSURED - Because of Postal Regulations, U.K., CHILE & MEXICO EXPRESS ONLY if over $80.00. International Buyers are responsible for their country's Customs Fees.
SKU Number: DOLP 31130
Price: $89.99 
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"Memphis Slim and Willie Dixon, The Blues Every Which Way - 180 Gram" - Product Image
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"Memphis Slim and Willie Dixon, The Blues Every Which Way - 180 Gram"

180 Gram Limited Edition Analog Virgin Vinyl. These two legends go back to the roots of blues playing it like you would have heard it in its purest form in the down town Chicago blues clubs. A must for any true blues lover Willie Dixon & Memphis Slim - The Blues In Every Which Way FACTORY SEALED 180 Gram LP - High definition analog vinyl pressing for superior fidelity. The nicest thing you can do for your stylus and ears. The ultimate record - the way music was meant to be heard. Memphis Slim and Willie Dixon in a "double value" pack. Such a minimum of personnel was bound to bring a broad smile to the faces of Verve's accounts department staff, especially when one considers that several great names in the blues scene of the Sixties tried to gain the public's attention with the help of large and expensive background ensembles. But things were very different with these two great musicians. Instead of depending upon cascades of sound and throbbing rhythm coming out of the electrical sockets, the duo relied upon their own vocal talents and their skill at the piano and bass. The two musicians reach back to the roots of the blues when they growl out their songs about everyday life to a rolling boogie-woogie rhythm. The listener gets an immediate impression of how it would have sounded in the streets and bars of Chicago's south side. Without a shadow of a doubt, this album will be right up the street of all those who love original, unfiltered blues.
SKU Number: DOLP 3007
Price: $44.99 
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"Michael Jackson, 25th Anniversary Thriller - Double LP - 180 Gram" - Product Image
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"Michael Jackson, 25th Anniversary Thriller - Double LP - 180 Gram"

MICHAEL JACKSON - 25TH ANNIVERSARY THILLER DOUBLE LP SET IN 180 GRAM VINYL. FACTORY SEALED LP A deluxe, gatefold 180-gram 25th Anniversary Edition of one of the most significant pop releases in music history! Includes a bonus LP with previously unreleased tracks, mixes and an unreleased song from the Thriller sessions. Released November 30, 1982, Thriller would go on to break all sales records while garnering a record seven Top 10 singles and 12 Grammy nominations. It remains one of only three albums to stay on the Billboard 200 Top 10 for one full year. This 25th Anniversary Edition of Thriller celebrates this ground-breaking album with previously unreleased tracks. New tracks include exclusive remixes from Kanye West, Akon, Fergie and will.i.am along with previously unreleased tracks from the original Thriller sessions, newly mixed and mastered by Michael Jackson. -------------------------------------------------------------------------------- Track Listings 1. Wanna Be Startin' Somethin' 2. Baby Be Mine 3. The Girl Is Mine 4. Thriller 5. Beat It (Single Version) 6. Billie Jean (Single Version) 7. Human Nature 8. P.Y.T. (Pretty Young Thing) 9. The Lady In My Life 10. Vincent Price Excerpt From "Thriller" Voice-Over Session (Thriller 25th Anniversary Voice-Over Session) 11. The Girl Is Mine 2008 with will.i.am (Thriller 25th Anniversary Remix Featuring will.i.am) 12. P.Y.T. (Pretty Young Thing) 2008 with will.i.am (Thriller 25th Anniversary Remix Featuring willi.i.am) 13. Wanna Be Startin' Somethin' 2008 with Akon (Thriller 25th Anniversary Remix Featuring Akon) 14. Beat It 2008 with Fergie (Thriller 25th Anniversary Remix Featuring Fergie) 15. Billie Jean 2008 Kanye West Mix (Thriller 25th Anniversary Remix Featuring Kanye West) 16. For All Time (unreleased track from the original Thriller sessions) (Previously unrelease track from the Thriller sessions)
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Price: $99.99 
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"Michael Jackson, Bad - 180 Gram" - Product Image
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"Michael Jackson, Bad - 180 Gram"

MICHAEL JACKSON - BAD - LIMITED EDITION 180 GRAM HEAVY VINYL PRESSING . FACTORY SEALED LP - Jackson's domination of the world record market continued following Thriller. The title track and the gorgeous "Man In The Mirror" were substantial hits, and quality material like "Dirty Diana" and "Liberian Girl" bolster a strong album. -------------------------------------------------------------------------------- Track Listings 1. Bad 2. The Way You Make Me Feel 3. Speed Demon 4. Liberian Girl 5. Just Good Friends 6. Another Part Of Me 7. Man In The Mirror 8. I Just Can't Stop Loving You 9. Dirty Diana 10. Smooth Criminal
SKU Number: *
Price: $199.99 
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"Mick Jagger, Goddess In The Doorway" - Product Image
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"Mick Jagger, Goddess In The Doorway"

180 Gram Limited Edition Analog Virgin Vinyl. Tracks include: "Vision Of Paradise" "Joy" "Dancing In The Starlight" "Gad Gave Me Everything" "Hide Away" "Don't Call Me Up" "Goddess In The Doorway" "Lucky Day" "Everybody Getting High" "Gun" "Too Far Gone" "Brand New Set Of Rules".
SKU Number: FOLP 811288
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    "Mick Jagger, Wandering Spirit (2 LPs) - CURRENTLY SOLD OUT" - Product Image
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    "Mick Jagger, Wandering Spirit (2 LPs) - CURRENTLY SOLD OUT"

    180 Gram Limited Edition Analog Virgin Vinyl. Tracks Include: "Wired All Night" "Sweet Thing" "Out Of Focus" "Don't Tear Me Up" "Put Me In The Trash" "Use Me" "Evening Gown" "Mother Of A Man" "Think" "Wandering Spirit" "Hang On To Me Tonight" "I've Been Lonely For So Long" "Angel In My Hearth" "Handsome Molly".
    SKU Number: FOLP 82436-1
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      "Mike Bloomfield, I'm Cutting Out - 180 Gram" - Product Image
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      "Mike Bloomfield, I'm Cutting Out - 180 Gram"

      180 Gram Limited Edition Analog Virgin Vinyl. OUT OF PRINT Legendary blues guitar player Mike Bloomfield can also be heard on HWY 61 Revisited, the Paul Butterfield Blues Band, Electric Flag and Supersession, to name a few. Tracks Include: "I Got My Mojo Working" "I Feel So Good" "Goin' Down Slow" "I've Got You In The Palm Of My Hand" "The First Year I Was Married" "I'm Cutting Out" "Lonesome Blues" "I Got My Mojo Working(Alternative Version)" "Last Night" "I Feel So Good(Alternative Version)".
      SKU Number: DOLP 5105
      Price: $54.99 
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      "Miles Davis & Thelonious Monk, Miles & Monk At Newport - 180 Gram" - Product Image

      "Miles Davis & Thelonious Monk, Miles & Monk At Newport - 180 Gram"

      MILES DAVIS & THELONIOUS MONK LIVE AT NEWPORT Factory Sealed 180 Gram Limited Edition classic LP high-definition Virgin Vinyl pressing for superior fidelity. Collectors Note: This HEAVY VINYL LIMITED EDITION pressing is now out of print & gone from the last distributor that had any of these pressing left within their inventory. This means that this specific title is "Here Today but For Sure Gone Tomorrow Forever". So Don't Miss Out on adding this to your collection because mymusicfix only has a the last couple copies left forever any where in the world still factory sealed. Miles & Monk at Newport was a combined album of a Miles Davis appearance at Newport with an appearance of Thelonious Monk, These are two different performances at two different times. Miles Davis and Thelonious Monk do not perform together on this LP. Both sides represented live appearances at the Newport Jazz Festival On the first side of the LP was a series of high tempo performances of bebop tunes and other staples of the Davis live repertoire from 1958. The performance was contemporaneous with Davis' Milestones album. Aside from the 1973 release Jazz at the Plaza (also a 1958 concert) during the LP era, this was the only legitimate (non-bootleg) recording of a live Davis combo performance earlier than the 1960 Blackhawk recordings. As such, this performance and Jazz at the Plaza were the only legitimate live recordings representing the Kind of Blue sextet. On the second side were a few numbers by Thelonious Monk's combo, from a 1963 Newport appearance. It featured the idiosyncratic appearance by clarinetist Pee Wee Russell. In 1973, an expanded version of the Davis Newport performance was released as the LP Miles & Coltrane. In the 1994 the album was released with the Davis Newport performances expanded and the Monk portion released separately on the 2CD Monk compilation Live at Newport 1963-65. ? Track listing Original LP Side 1 - Davis in 1958 1. "Ah-Leu-Cha" (5:55, composed by Charlie Parker) 2. "Straight, No Chaser" (8:52, composed by Thelonious Monk) 3. "Fran-Dance" (7:08, composed by Miles Davis) 4. "Two Bass Hit" (4:19, composed by Dizzy Gillespie and John Lewis) Side 2 - Monk in 1963 1. "Nutty" (13:57, composed by Thelonious Monk) 2. "Blue Monk" (11:18, composed by Thelonious Monk)
      SKU Number: DOLP COLUM8978H
      Price: $44.99 
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      "Miles Davis, At Carnegie Hall" - Product Image
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      "Miles Davis, At Carnegie Hall"

      MILES DAVIS: CARNEGIE HALL Factory Sealed 180 Gram Limited Edition classic LP high-definition Virgin Vinyl pressing for superior fidelity from the Analog Master. Teo Macero sold Miles and Columbia on recording this event. He ordered all the necessary equipment to record what would have been a terrific recording. However -- unsurprising considering his temprement -- Miles decided the day before the event he neither wanted to play nor record the event. While he was convinced to play, he would not budge on the recording. Macero, however, had four single mics hid strategically throughout the stage so he could at least have one copy of the event. For all of the tribulations (Max Roach's protest nonwithstanding), Miles, Gil Evans, the band, and the orchestra were all able to put on an impressive event. The crowd was overwhelmed, and Miles himself said to Teo afterward that he wanted to release it after all. Blame the temper of the times for the poor recording. But remember to praise Teo for his foresight in recording this anyways. To my mind Miles never played better than at this recording. There is a new searching and driving vitality to his playing which probably indicated that he had reached the absolute peak of his powers but was still pushing himself further. His technique was certainly better than ever. Don't let the imperfections of the recording as an inadequate document of sound disturb you - not really worth worrying about, as one can hear enough to know that this was an exceptional performance. Hank Mobley on tenor complements Miles well, and the new thythm section whips the horms along with great impetus. The tracks with Gil Evans and his orchestra have a spontaneity lacking on the more polished studio-recorded equivalents. This record is not immaculate - but it is a very great one and clearly a must-have for any serious Davis fan, because he plays here in a way that he doesn't on any other recording, and produces unusual excitement even for this, the most permanently satisfying and richly artistic musician in jazz, whose music is sure to go down the centuries as great by any standard at any time. Track Listings 1. So What 2. Spring Is Here 3. No Bluce 4. Oreo 5. Someday My Prince Will Come 6. Meaning Of The Bluce 7. Rament 8. New Rumba
      SKU Number: DOLP 8612
      Price: $59.99 
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      "Miles Davis, Ballads 180 Gram Vinyl - CURRENTLY SOLD OUT" - Product Image
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      "Miles Davis, Ballads 180 Gram Vinyl - CURRENTLY SOLD OUT"

      MILES DAVIS: BALLADS - Out Of Print - 180 Gram Limited Edition out of print classic LP high-definition DIGITALLY RE-MASTERED FROM ORIGINAL MASTER TAPES Vinyl pressing for superior fidelity the nicest thing you can do for your stylus and your ears. THIS IS OUR LAST COPY FOREVER. This Miles Davis collection of ballads LP are from 1961 to 1963, mostly played with the Gil Evans Orchestra in 1962 . Tracks on this album include: Baby Won't You Please Come Home - Once Upon A Summertime - I Fall In Love Too Easily - Bye Bye Blackbird - Wait Till You See Her - Basin Street Blues and Corcovado. These tracks are a wonderful look at Miles sometimes underrated ballad and lyrical side. His use of harmon mutes was common during this period, and it heightens the sensitivity of his playing. Gil Evans was always able to coax a good performance from Miles, and these tracks are no different. A great collection for those wanting a small taste of the many sides of the Man With The Horn. PLUS RECEIVE Steve Hoffman's (guru of mastering) DCC Long Out of Print Aluminum JAZZ LOVER'S COLLECTION a 2 CD bonus (along with this Miles Davis vinyl masterpiece) with 20 tracks that includes Gabor Szabo / Cal Tjader / Gary McFarland / Armando Peraza / Phil Woods / Grady Tate / PeeWee Russell - doing such standards as The Look Of Love / Never My Love / Windmills Of My Mind / and much much more is included as a Collector's bonus!
      SKU Number: DOLP 44151
      Price: $99.99 
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      "Miles Davis, Basic Miles - Classic Performances" - Product Image
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      "Miles Davis, Basic Miles - Classic Performances"

      MILES DAVIS: CLASSIC PERFORMANCES Factory Sealed 180 Gram Limited Edition classic LP high-definition Virgin Vinyl pressing for superior fidelity from the Analog Master. A COLLECTION OF MILES DAVIS STANDARDS FROM 1955 - 1962 Track Listings 1. BUDO 2. STELLA BY STARLIGHT 3. SWEET SUE JUST YOU 4. LITTLE MELONAE 5. MILES AHEAD 6. ON GREEN DOLPHIN STREET 7. ROUND MIDNIGHT 8. FRAN-DANCE 9. DEVIL MAY CARE
      SKU Number: DOLP 32025
      Price: $24.99 
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      "Miles Davis, Bitches Brew - 180 Gram Double LP" - Product Image
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      "Miles Davis, Bitches Brew - 180 Gram Double LP"

      MILES DAVIS - BITCHES BREW DOUBLE LP SET 180 Gram Limited Edition classic LP high-definition Virgin Vinyl pressing for superior fidelity. The nicest thing you can do for your stylus and your ears. The ultimate record -- the way music was meant to be heard and of superior quality for any Audiophile. BITCHES BREW - 180 GRAM 2 LP SET - Bitches Brew is thought by many to be the most revolutionary album in jazz history, having virtually created the genre known as jazz-rock fusion and being the jazz album to most influence rock and funk musicians. This double LP featured up to 12 musicians at any given time, most of whom would go on to be high-level players in their own right: Joe Zawinul, Wayne Shorter, Airto, John McLaughlin, Chick Corea, Jack DeJohnette, Dave Holland, Don Alias, Benny Maupin, Larry Young, Lenny White and others 1. Pharaoh's Dance 2. Bitches Brew 3. Spanish Key 4. John McLaughlin 5. Miles Runs The Voodoo Down 6. Sanctuary 7. Feio
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      "Miles Davis, Cookin' At The Plugged Nickel - 180 Gram - CURRENTLY SOLD OUT" - Product Image
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      "Miles Davis, Cookin' At The Plugged Nickel - 180 Gram - CURRENTLY SOLD OUT"

      MILES DAVIS: COOKIN' AT THE PLUGGED NICKEL - LAST COPY OF THIS LIMITED EDITION 180 GRAM OUT OF PRINT PRESSING. Featuring Ron Carter, Wayne Shorter, Tony Williams and Herbie Hancock Factory Sealed 180 Gram Limited Edition DIGITALLY REMASTERED classic LP high-definition Virgin Vinyl pressing for superior fidelity from the ORIGINAL Analog Master. During the era when Miles Davis played his vaunted stint at the Plugged Nickel in 1965, he had two distinct personas. When playing live, Davis led his "second great quintet" in the performance of lots of standards and familiar tunes from his own book. When recording in the studio, Davis turned over much of the composition to his young band, creatively advanced members (including Wayne Shorter and Herbie Hancock). But on these tunes the personalities merged, using the familiar to create great trampolines to edgy improvising. Shorter sounds beyond inspired, opening every phrase to vertical and horizontal inspection while (very young) drummer Tony Williams throws rhythms in every direction. Tracks include: If I Were A ell - Stella By Starlight - Walkin' - Miles
      SKU Number: DOLP 40645
      Price: $79.99 
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      "Miles Davis, Cookin' With Miles Davis" - Product Image
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      "Miles Davis, Cookin' With Miles Davis"

      180 Gram Vinyl - With the Miles Davis Quintet Cookin' was the first album to be released of the famed extended recording sessions of the Miles Davis Quintet, wherein they taped the band's basic repertoire (and what a marvelous mixture of jazz originals and standards) in the manner of nightclub sets rather than the repetition of the usual studio takes. The album excited listeners not only with its contents but with its promise of more to come. Davis, Coltrane, Garland, Chambers and Philly Joe Jones; one of the classic groups in the history of jazz. It established a level of excellence that was to foster a long, successive line of outstanding Davis quintets and sextets through the 50s and 60s. From the muted eloquence of My Funny Valentine, through the finger-poppin' Blues By Five, to the urgent swing of Airegin and Tune Up, Cookin' has the ability to thrill the listener no matter how many times it is played - the mark of an all-time great performance. Mastered by Kevin Gray. -------------------------------------------------------------------------------- Track Listings 1. Airegin 2. Tune Up 3. Blues By Five 4. My Funny Valentine
      SKU Number: AAPJ 021
      Price: $32.99 
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      "Miles Davis, Decoy - 180 Gram Vinyl" - Product Image

      "Miles Davis, Decoy - 180 Gram Vinyl"

      MILES DAVIS: DECOY Factory Sealed. Now out of print IN THIS 1ST EDITION 180 GRAM PRESSING and gone forever. PLUS RECEIVE Steve Hoffman's (guru of mastering) DCC Long Out of Print Aluminum JAZZ LOVER'S COLLECTION a 2 CD bonus (along with this Miles Davis vinyl masterpiece) with 20 tracks that includes Gabor Szabo / Cal Tjader / Gary McFarland / Armando Peraza / Phil Woods / Grady Tate / PeeWee Russell - doing such standards as The Look Of Love / Never My Love / Windmills Of My Mind / and much much more is included as a Collector's bonus! 180 Gram Limited Edition classic LP high-definition Virgin Vinyl pressing for superior fidelity. The nicest thing you can do for your stylus and your ears. The ultimate record -- the way music was meant to be heard. No matter who backed him up, Miles always played in his own way and one could always tell it was him. The trio of songs that begin the album-the title cut,"Robot 415" and "Code M.D." are pulsing electro-funk hip/hop numbers that stand as the beginnings of jazz-hop and are therefore a precursor to what music would be doing a decade later. "What Is It" and "That's What Happened" are organic, white-hot, live-in-the-studio jams where Miles blows like a siren. The moody "Freaky Deaky" and "That's Right" add enough change of pace to make this one of Mile's better 80's albums by far!
      SKU Number: DOLP 38991H
      Price: $84.99 
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      "Miles Davis, E.S.P. - 180 Gram" - Product Image
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      "Miles Davis, E.S.P. - 180 Gram"

      MILES DAVIS: E.S.P. - Factory Sealed LP Now out of print and gone forever. 180 Gram Limited Edition classic LP high-definition Virgin Vinyl pressing for superior fidelity. The nicest thing you can do for your stylus and your ears. The ultimate record -- the way music was meant to be heard. E.S.P. is an inventive post-bop treasure that finds Miles Davis totally re-energized by the young guns of his second quintet. Davis's first album of new material in six years (most of it written by the band), E.S.P. is a brilliantly-executed treatise on the workings of tension and release. The songs are predominantly modal and the structures themselves are different, with a minimalist bent and more emphasis placed on melodies that are repeated, fractured, improvised upon, and released into the ether of total, free sound. The supple rhythm section--powerhouse drummer Tony Williams and bassist Ron Carter--provide ample room for Davis, Hancock, and Shorter to explore interlocking melodies, notably on the jaunty "Eighty-One" and the sweet lullaby "Iris." On "Agitation," Williams brings the noise, grafting the rhythmic freedom of the day's free-form music to the group's tuneful and "out" playing. Tracks include: E.S.P-. Eighty-One -. Little One -. R.J. - Agitation - Iris - Mood
      SKU Number: DOLP 9150
      Price: $49.99 
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      "Miles Davis, Filles De Kilimanjaro - 180 Gram" - Product Image
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      "Miles Davis, Filles De Kilimanjaro - 180 Gram"

      MILES DAVIS: FILLES DE KILIMANJARO Factory Sealed 180 Gram Limited Edition classic Filles de Kilimanjaro has an odd pedigree for an "album" -- it was recorded in two different sessions, featuring two different lineups. As a result Sony/Legacy split this album across two sets. These recordings really work well together, and as an ALBUM this is one of the highest peaks in Miles Davis's career. The three middle tracks ("Tout de Suite", "Petit Machins", "Filles de Kilimanjaro") were the last recordings of the 2nd Quintet with Ron Carter and Herbie Hancock. These five musicians played great on nearly all their recordings, but here they are really incredible. And the MVP has to be Tony Williams, who supplies the music with lots of extra juice. "Tout" combines mellow, Gil Evans arranged outer sections with an explosive rock middle section; Miles and Wayne play off the fireworks of Tony's drumming. "Petit Machins" is the most conventional melody here, but the improvisation afterward is open-ended. The title track has a gorgeous, dreamy melody a la "Footprints" or "Masqualero". "Frelon Brun" and "Mademoiselle Mabry" were recorded three months later with Chick Corea and Dave Holland replacing Herbie and Ron. "Frelon Brun" is surely one of the best boogaloos ever recorded: intense solos by Wayne and Miles, Chick's spiky comping behind them, and Tony Williams going completely crazy underneath. "Mademoiselle Mabry", on the other hand, initially seems like a bunch of languid, bluesy phrases (including a nod to Jimi Hendrix's "Wind Cries Mary") played by Chick and Dave under Miles's statement of the melody. But eventually you realize that these phrases form the frame of the song, repeated over and over while Miles, Wayne and Chick paint beautiful, unhurried solo statements over it. Tony doesn't "drum" here, instead commenting irregularly but respectfully when the music merits it. And then the tune ends just like it started, with Miles playing the melody. This is a major masterwork, a collection of five magical experiences captured in the studio. It's an album that maintains jazz's approach to improvisation, but fuses it with electric piano and rock and soul grooves in a way that's rarely been done since. Miles moved in the rock and soul direction more decisively with In a Silent Way and Bitches Brew (both wonderful albums) but unfortunately never explored the peaks of Kilimanjaro again. Track Listings 1. Frelon Brun (Brown Hornet) 2. Tout de Suite 3. Petits Machins (Little Stuff) 4. Filles de Kilimanjaro 5. Mademoiselle Mabry (Miss Mabry)
      SKU Number: DOLP 9750
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      "Miles Davis, Five 180 Gram Set - Friday Night At Blackhawk Vol. 1 & 2 - In Europe - Jazz At the Plaza & Basic Miles The Classic Performances From 1955-1962" - Product Image
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      "Miles Davis, Five 180 Gram Set - Friday Night At Blackhawk Vol. 1 & 2 - In Europe - Jazz At the Plaza & Basic Miles The Classic Performances From 1955-1962"

      MILES DAVIS: FRIDAY NIGHT AT BLACKHAWK VOL I & 2 - 2 LP SET - IN EUROPE - JAZZ AT THE PLAZA & BASIC MILES CLASSIC PERFORMANCES - FIVE 180 GRAM LP SET MILES DAVIS IN EUROPE - The recordings of Miles' 1964 Philharmonic Hall concert have acquired a reputation for being Miles' best live recordings from the '63-'64 period. As an avid Miles fan, I agreed with that assessment. That was before I had ever heard this concert from the Antibes jazz festival. This album is AS GOOD if not in some ways better than Miles' justly famous "My Funny Valentine" and "Four and More" albums. Miles himself plays as intensely as in the 1964 Phil. Hall concert, and his trumpet technique itself is often crisper in the Antibes concert. George Coleman's playing may be more adventurous and intense here than on the 1964 concert, which makes him a better fit with the Hancock/Carter/Williams rhythm section. All through this recording, the quintet's interaction has a giddy, at times playful tone, and the musicians' excitement can be easily heard. Track Listings 1. Introduction 2. Autumn Leaves 3. Milestones 4. Joshua 5. All Of You 6. Walkin JAZZ AT THE PLAZA - Miles Davis's KIND OF BLUE is nothing if not legendary, and this live date captures most of the classic Kind of Blue band in concert. Recorded at the Plaza Hotel in Manhattan in 1958 and originally released in 1973, this live set superbly spotlights Davis's "walking on eggshells" melodicism. Pianist Bill Evans, alto and tenor saxophonists Cannonball Adderley and John Coltrane, drummer Jimmy Cobb, bassist Paul Chambers, and Davis blow the blues on Sonny Rollins's "Oleo" and Thelonious Monk's "Straight No Chaser." Davis's warm, Harmon-muted trumpet melodically shoots Cupid's arrow on "If I Were a Bell" and "My Funny Valentine," with Evans's piano lines sounding equally footed in Ravel and modal bop. Add the Bird flights of Adderley and the spooling energy of Coltrane and you have one of the top groups at the top of their game. This is a marvel, a hot and cool preview to the band's landmark 1959 KIND OF BLUE exploration. BASIC MILES DAVIS THE CLASSIC PERFORMANCES STANDARDS FROM 1955 - 1962 Track Listings 1. BUDO 2. STELLA BY STARLIGHT 3. SWEET SUE JUST YOU 4. LITTLE MELONAE 5. MILES AHEAD 6. ON GREEN DOLPHIN STREET 7. ROUND MIDNIGHT 8. FRAN-DANCE 9. DEVIL MAY CARE BLACK HAWK VOLUME ONE & TWO - 2 LP SET - DIGITALLY REMASTERED DIRECTLY FROM THE ORIGINAL ANALOG TAPES - VOLUME ONE: It's commonplace for Miles' followers to dismiss the groups between Coltrane and Shorter. By his actions on the stand and his comments away from it, Miles made it clear that he was unhappy with Coltrane's immediate replacements--Sonny Stitt, George Coleman and, most pointedly of all, Hank Mobley. But Miles' own insistence on the progressive, the revolutionary, the newest thing, should not be confused with the actual musical statements by his groups. No player was more welcome in a Van Gelder recording studio than Hank Mobley who, though hardly an innovator or trend-setter, was one of the most soulful, melodically inventive players on the scene. It's especially refreshing to hear him away from the Blue Note stable of players and in the company of Miles' rhythm section on this Columbia recording, which captures Hank's inspired lyricism at its best (his solo on "Blackbird" eclipses even Coltrane's on the same tune from the "'Round Midnight" session). In the case of this "transitional" group, Miles' proclaimed loss is the listener's gain. Track Listings 1. Walkin' 2. Bye Bye Blackbird 3. All of You 4. No Blues 5. Bye Bye/The Theme 6. Love, I've Found You VOLUME TWO: This LP is the second of 2 that chronicle Miles' stay at the Blackhawk in San Francisco in 1961. Both dates of the Blackhawk shows are prime examples of the greatness of MILES working group. While the Friday night show contained mainly ballads, Saturday night finds the band taking on more up-tempo numbers, and with it the band relaxes into a wonderful groove. Even the slower numbers, like "So What," are sped up during this particular evening. The band was definitely up for the change of pace. Hank Mobley is the major recipient of the up-tempo nature of the show. His time spent with Art Blakey's Jazz Messengers proved that he had the chops needed to play quickly and confidently. Mobley at his best within Miles' group comes with his solo on Sonny Rollins' "Oleo." While the solo lasts a mere minute or so, Mobley took the tension created by Miles' calculated, reserved, mute solo, and blows it out of the water with his frenzied attack, which is certainly akin to what both Rollins and Coltrane were playing at the time. Mobley's attack is what the rhythm section of Kelly, Chambers, and Cobb needed. It allowed them to pick up the pace, and led to Kelly's tasty solo after Mobley's. Kelly's solo is a bit more refined, but no less impressive. The piece showed off prime solo chops by 2 of jazz's legends. The rest of the lp is no less impressive. The pieces are up-tempo, with all parties involved bringing their "A" games to the table. Miles' playing is wonderful, and dominated by his harmon mute. As always, his solos are short, conpact, very to the point. Mobley's playing throughout is inspired. One can sense that Mobley was on that night, and that he KNEW it, as well. Kelly's solos are always a delight to hear. His playing moves a lot, taking on octaves, arpeggios, and more of a lead character even when he's playing accompanying block chords. Chambers and Cobb were as tight a low end rhythm section as jazz had, and the lp allows them to dominate the proceedings in an up-tempo way. Both BLACKHAWK SHOWS (Friday night & Saturday night) are recommended to hear the full scale of what this short-lived working band could accomplish. Track Listings 1. Well, You Needn't 2. Fran-Dance 3. So What 4. Oleo 5. If I Were a Bell 6. Neo
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      "Miles Davis, Four & More - 180 Gram - CURRENTLY SOLD OUT" - Product Image
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      "Miles Davis, Four & More - 180 Gram - CURRENTLY SOLD OUT"

      MILES DAVIS: FOUR & MORE - Recorded Live In Concert Factory Sealed 180 Gram Limited Edition classic LP high-definition Virgin Vinyl pressing for superior fidelity from the Analog Master. This recording presents portions of two Miles Davis concerts which were held iin Philharmonic Hall at Lincon Center for the Performing Arts in New York City. Miles was in rare form on both occasions. The combination of Herbie Hancock, Ron Carter, Tony Williams and George Coleman show how creative musicians can retain their individuality while performing in a well-established and well-defined area of group and solo playing. The guidelines laid down by their illustrious predecessors (Red Garland, Paul Chambers, Philly Joe Jones and John Coltrane) are very much in evidence, as are their own extensions and newer directions. This is a must have for a jazz or miles collector. It is perhaps the last album that Miles let it all out, and is a collection of the best version of these jazz standards. George Coleman lets it all out, and shows what a great journeyman he is. Herbie and Ron solidly support, and of course, the "young Tony Williams" brings a new nervous energy which vaults this album into the stratosphere. Tracks include: So What - Walkin' - Joshua/Go-Go - Four - Seven Steps To Heaven - There is No Greater Love
      SKU Number: DOLP 9253
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      "Miles Davis, Friday Night At Blackhawk Vol 1" - Product Image
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      "Miles Davis, Friday Night At Blackhawk Vol 1"

      MILES DAVIS: FRIDAY NIGHT AT BLACKHAWK VOL I Factory Sealed 180 Gram Limited Edition classic LP high-definition Virgin Vinyl pressing for superior fidelity from the Analog Master. It's commonplace for Miles' followers to dismiss the groups between Coltrane and Shorter. By his actions on the stand and his comments away from it, Miles made it clear that he was unhappy with Coltrane's immediate replacements--Sonny Stitt, George Coleman and, most pointedly of all, Hank Mobley. But Miles' own insistence on the progressive, the revolutionary, the newest thing, should not be confused with the actual musical statements by his groups. No player was more welcome in a Van Gelder recording studio than Hank Mobley who, though hardly an innovator or trend-setter, was one of the most soulful, melodically inventive players on the scene. It's especially refreshing to hear him away from the Blue Note stable of players and in the company of Miles' rhythm section on this Columbia recording, which captures Hank's inspired lyricism at its best (his solo on "Blackbird" eclipses even Coltrane's on the same tune from the "'Round Midnight" session). In the case of this "transitional" group, Miles' proclaimed loss is the listener's gain. Track Listings 1. Walkin' 2. Bye Bye Blackbird 3. All of You 4. No Blues 5. Bye Bye/The Theme 6. Love, I've Found You
      SKU Number: 44257
      Price: $34.99 
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      Untitled Document