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| Search Results for Keyword(s):Who Next (matching all words) | | Search found 73 matching products. |
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"David Gilmour, 2 LP Set - On An Island 180 Gram & Self-Titled"
DAVID GILMOUR - ON AN ISLAND - Euro LP. These U.K pressings are sent with the vinyl outside of the jackets when being shipped to the U.S. to protect the covers from damage. This title is brand new & never played condition.
180 GRAM LP LIMITED EDITION WITH THE LARGEST GATEFOLD COVER I'VE EVER SEEN ON AN ALBUM. ALSO INCLUDES A TREMENDOUSLY LARGE POSTER. THIS IS A GREAT COLLECTIBLE. This heavy vinyl ORIGINAL ISSUE is a piece of musical history and is the only audiophile pressing of this recording.
This is the long-anticipated third solo project from guitarist/singer/songwriter David Gilmour, who of course is best known for his historic work with Pink Floyd. We've all been waiting 22 years for another Gilmour solo effort, and On An Island will reward any fan's patience. Gilmour simply wasn't going to release anything until he'd composed another masterpiece. On An Island is a laid-back affair with six of the 10 tunes co-written by Gilmour and his wife, Polly. There are guests galore, including Richard Wright, Georgie Fame, David Crosby, Graham Nash, Jools Holland and many others.
This LP version includes this gatefold jacket and foldout poster.
Track Listings
1. Castellorizon
2. On An Island
3. The Blue
4. Take a Breath
5. Red Sky at Night
6. This Heaven
7. Then I Close My Eyes
8. Smile
9. A Pocketful of Stones
10. Where We Start
DAVID GILMOUR - DAVID GILMOUR - FACTROY SEALED - Pink Floyd guitarist and vocalist David Gilmour released his self-titled solo debut in June of 1978. The album was recorded during down time in Pink Floyd's history. While David was making his solo album, bass player/vocalist Roger Waters created demos for The Wall and Pros and Cons while drummer Nick Mason was producing The Damned and Steve Hillage and keyboardist Rick Wright was making a solo album of his own Wet Dream.
David's album was recorded in late 1977/early 1978 in Superbear Studios in France with David producing and handling guitars, vocals and keyboards. Also joining him were Roxy Music/future Foreigner bassist Rick Wills and Quiver drummer Willie Wilson, whom both had played with David in the power trio Bullet in 1967.
This album kicks off with the great instrumental Mihalis which is a great guitar workout. The next song is There's No Way Out Of Here which is a laid-back classic delivered with the minimum of fuss and overdubbing; Gilmour's voice rarely rising above a breath. This track was originally recorded by the band Unicorn as No Way Out of Here and this song was the single off the album doing well on rock radio in the US in 1978.
Tracks include: 1. Mihalis 2. There's No Way Out of Here 3. Cry from the Street 4. So Far Away 5. Short and Sweet 6. Raise My Rent 7. No Way 8. It's Definitely 9. I Can't Breathe Anymore
The album closes with the atmospheric “I Can't Breathe Anymore” which sounds like it could have appeared on a Floyd album. The album was a modest success as it peaked at #29 in the US and went Gold.
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"Crosby, Stills & Nash Five 200 Gram Vinyl Titles"
CROSBY STILLS & NASH OUT OF PRINT CLASSIC RECORDS AUDIOPHILE EDITIONS IN 200 GRAM Pressings.
All out of print & gone everywhere in these factory sealed masterpieces.
COLLECTORS NOTE: THE DEJA VU TITLE ALONE IS SELLING WITHOUT A COVER IN A TEST PRESSING FOR $400 IN THE AUDIOPHILE EDITION. DO YOUR RESEARCH AND SEE HOW RARE THESE 1ST EDITION HEAVY VINYL 200 GRAM PRESSINGS ARE.
THESE MASTERPIECES HAVE OFFICIALLY GONE OUT OF PRINT FOREVER ON SEPTEMBER 1ST 2007. THESE AUDIOPHILE GEMS WILL GO THRU THE ROOF AS THE MOST VALUED PRESSING EVER ON VINYL. MYMUSICFIX HAS SEEN SOME OF THESE TITLES SELL FOR $300+ IN THE OUT OF PRINT COLLECTORS MARKET - DON'T MISS OUT ON SOME OF OUR LAST COPIES FOREVER.
Classic Records has proven to be an Audiophile Company second to none in the new millennium. But Classic Records, unlike other top Audiophile Companies, does not place Limited Edition numbers on their LP jackets.
CROSBY, STILLS, NASH & YOUNG - DÉJÀ VU – FACTORY SEALED 200 GRAM CLASSIC RECORDS. Rated the 61st best LP of all-time PLUS NEIL YOUNG
Less than a year after the release of CSN's groundbreaking debut, the group returned with Stephen Stills's (singing hit song, "Carry On",) former Buffalo Springfield cohort/rival Neil Young augmenting the threesome. The result is a less concentrated but more kinetic creation; Young swims through the celestial harmonies of rock's best trio. With classics like "Almost Cut My Hair" DÉJÀ VU is teeming with early '70s FM staples, including "Helpless," "Teach Your Children," , the hit "Woodstock" (penned by Joni Mitchell) , "Our House" and much more.
Track Listings
Side One
1. Carry On
2. Teach Your Children
3. Almost Cut My Hair
4. Helpless
5. Woodstock
Side Two
1. Deja Vu
2. Our House
3. 4 + 20
4. Country Girl
5. Everybody I Love You
CROSBY STILLS AND NASH DEBUT LP - 200 GRAM CLASSIC RECORDS
This is CROSBY STILLS & NASH Debut Album – That was mastered from the Original Session Tapes (and Graham Nash has recently stated this was the 1st time this master session tape was ever used. The fact was this tape was never used on the original release pressings just the second and 3rd generation clones from the master) to 200 Gram Heavy Virgin Vinyl by Classic Records and is the best Audiophile pressing ever of this masterpiece.
You are diffently in the studio with the Group in this rare pressing.+
One of the major Super Groups of the late sixties, CROSBY, STILLS & NASH dominated the charts and influenced many musicians with their skillful harmonizing and folk-rock sound. This debut Album was well-received and began an association that would last in varying combinations for 25 years.
Contains the classic – SWEET JUDY BLUE EYES rated the 41st best single in Rock N Roll – MARAKESH EXPRESS – GUINNEVERE – YOU DON’T HAVE TO CRY – PRE-ROAD DOWNS – WOODEN SHIPS – LADY OF THE ISLAND – HELPLESSLY HOPING – LONG TIME GONE – 49 – BYE-BYES ABSOLUTELY ONE OF THE BEST OF THE GROUP’S ALBUM OF ALL-TIME
Steven Stills/Steven Stills, - With this 1970 self-titled solo effort, Stephen Stills, like his bandmates of CSN&Y had decided to explore other musical avenues. Featuring Jimi Hendrix, who died prior to the album's release on Old Times Good Times. The London session also allowed Stills to finally team up with Eric Clapton on Go Back Home. Spawning the mega-hit Love The One You're With. The album is a masterful mix of the southern California folk pop sound that Stills helped forge, blended with the Latin, swamp and blues influences that he was ready to express. Also collaborating are John Sebastian, Rita Coolidge, David Crosby, Graham Nash and Cass Elliot. Engineered by Andy Johns and arranged in part by Arif Mandrin.
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Track Listings
1. Love The One You're With
2. Do For The Others
3. Church ( Part of Someone)
4. Old Times Good Times
5. Go Back Home
6. Sit Yourself Down
7. To A Flame
8. Black Queen
9. Cherokee
10. We Are Not Helpless
DAVID CROSBY - This title is the 200 gram CLASSIC RECORDS. David Crosby's debut solo album If I Could Only Remember My Name is a one-shot wonder of dreamy but ominous California ambience. The songs range from brief snapshots of inspiration (the angelic chorale-vocal showcase on "Orleans" and the a cappella closer, "I'd Swear There Was Somebody Here") to the full-blown, rambling Western epic "Cowboy Movie", and there are absolutely no false notes struck or missteps taken. No one before or since has gotten as much mileage out of a wordless vocal as Crosby does on "Tamalpais High (At About 3)" and "Song With No Words (Tree With No Leaves)", and because the music is so relaxed, each song turns into its own panoramic vista. Those who don't go for trippy Aquarian sentiment, however, may be slightly put off by the obscure, cosmic storytelling of the gorgeous "Laughing" or the ambiguous (but pointed) social questioning of "What Are Their Names", but in actuality it is an incredibly focused album. Even when a song as pretty as "Traction in the Rain" shimmers with its picked guitars and autoharp, the album is coated in a distinct, persistent menace that is impossible to shake. It is a shame that Crosby would continue to descend throughout the remainder of the decade and the beginning of the next into aimless drug addiction, and that he would not issue another solo album until 18 years later. As it is, If Only I Could Only Remember My Name is a shambolic masterpiece, meandering but transcendently so, full of frayed threads. Not only is it among the finest splinter albums out of the CSNY diaspora, it is one of the defining moments of hung-over spirituality from the era.
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Track Listings
1. Music is Love
2. Cowboy Movie
3. Tamalpais High (at about 3)
4. Laughing
5. What Are Their Names
6. Traction In The Rain
7. Song With No Words (Tree With No Leaves)
8. Orleans
GRAHAM NASH SONGS FOR BEGINNERS - 200 GRAM CLASSIC RECORDS . - "...a surprisingly restrained and beautiful production." - Rolling Stone, 1971
Singer-songwriter and Rock and Roll Hall of Famer Graham Nash first rose to fame with British Invasion hit makers The Hollies. He went on to co-found the legendary rock super groups Crosby, Stills & Nash and CSN&Y, and remains active with both configurations. Throughout it all, Nash has also pursued an acclaimed solo career, beginning with the 1971 gem Songs For Beginners
Military Madness
Simple Man
Man In The Mirror
Better Days
There's Only One
Wounded Bird
Sleep Song
I Used To Be A King
Chicago
Be Yourself
We Can Change The World
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"David Foster, The Best Of Me - Factory Sealed MFSl JVC Vinyl"
MFSL ORIGINAL FACTORY SEALED LP - DAVID FOSTER - THE BEST OF ME - This is a MFSL Super Virgin Vinyl (so pure that you can see through it if held up to the light) JVC Half-Speed Japanese Pressing. THIS recording is from the Victor Company of Japan for state of the art audiophile pressings.
David Foster was among the most commercially successful producers and composers in all of popular music, lending his signature sweeping power ballad aesthetic to smash hits from Celine Dion, Chicago and Whitney Houston and in the process virtually defining the adult contemporary format. Born in Victoria, British Columbia, Foster began studying piano at the age of five, and just eight years later enrolled in the University of Washington's music program. At 16, he joined Chuck Berry's backing band, and in 1971 relocated to Los Angeles with his group Skylark, scoring a major hit the following year with the single "Wildflower." Foster also became a sought-after session keyboardist, appearing on recordings from superstars including John Lennon, Barbra Streisand, Diana Ross and Rod Stewart.
Foster's production career began when he helmed the 1976 eponymous debut from his group Attitudes; he soon turned to outside projects as well, writing and producing material for Hall & Oates, Deniece Williams, Carole Bayer Sager, Boz Scaggs and the Average White Band. In 1979, he earned his first Grammy Award for penning Earth, Wind and Fire's "After the Love Has Gone." From there Foster's career exploded, and he was soon writing and producing for artists including Kenny Rogers, the Tubes and Kenny Loggins. In 1982, he won a second Grammy for producing the original cast album to the Broadway hit Dreamgirls; he also composed and produced Chicago's hit "Hard to Say I'm Sorry," followed in 1983 by work on Lionel Richie's blockbuster Can't Slow Down. With 1984's Chicago 17, Foster scored his greatest success to date, with the smash single "Hard Habit to Break" earning him a Grammy for Producer of the Year.
A year later, Foster wrote and produced John Parr's hit "St. Elmo's Fire (Man in Motion)," and in 1986 reunited with Chicago, not only for their 18 LP, which launched the hit "Will You Still Love Me," but also with the group's singer, Peter Cetera, for whom he wrote the chart-topping "The Glory of Love." By now Foster was among the most successful producers in pop -- though reviled by critics, his work was enormously successful on the charts, with dozens of Top 40 hits. However, he was atypically quiet during the latter half of the 1980s, most notably teaming with Neil Diamond on his 1988 album The Best Years of Our Lives and working on a variety of film projects and one-off studio dates. In 1990 Foster began his collaboration with Celine Dion, writing and producing material for her Unison album and generating the hit "Have a Heart." A year later, he teamed with Natalie Cole for her mega-hit Unforgettable, winning three more Grammys: Record of the Year, Album of the Year, and Producer of the Year.
In 1992, Foster collaborated with Whitney Houston on the soundtrack to her hit film The Bodyguard, which netted him another Album of the Year Grammy at the following year's award ceremonies, with the blockbuster single "I Will Always Love You," also winning Record of the Year. Again, he took home Producer of the Year honors as well; additionally, "When I Fall in Love," the theme to Sleepless in Seattle performed by Celine Dion and Clive Griffin, garnered Foster another trophy as arranger. For Dion, he next produced 1993's The Colour of My Love, which spawned the smash "The Power of Love," and a year later, he helmed All-4-One's I Swear. With Dion's 1996 Falling Into You, Foster again took home the Album of the Year Grammy; the blockbuster Because You Loved Me, with the title track the main theme song from Up Close & Personal, was also a nominee in the Record of the Year category. A major hit from that same year was Toni Braxton's "Un-Break My Heart." The solo Love Lights the World followed in the spring of 2000. ~ Jason Ankeny, All Music Guide
AUDIOPHILE MASTERING OF THESE TITLES
Track Listings
1. Whatever We Imagine
2. Our Romance
3. Chaka
4. Heart Strings
5. Dancer
6. Best of Me
7. Mornin'
8. Love, Look What You've Done to Me
9. Love at Second Sight
10. Night Music
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"George Harrison - All Things Must Pass Box Set PLUS Living In The Material World LP"
GEORGE HARRISON - THE OUT OF PRINT EMI 2001 ALL THINGS MUST PASS BOX SET - TREMENDOUSLY RARE 3 LP SET
PLUS THE BONUS OF - LIVING IN THE MATERIAL WORLD George Harrison's classic album IN THIS LIMITED EDITION 180 GRAM PRESSING WITH 16 PAGE BOOK & TWO BONUS TRACKS " DEEP BLUE" & MISS O'DELL"
BRAINWASHED GEORGE HARRISON'S LAST LP PRESSING - BOTH TITLES HAVE ORIGINAL MARKETING STICKERS STILL ATTACHED. TRUE COLLECTORS CONDITION FACTORY SEALED ITEMS.
THIRTY-THREE & ONE THIRD RUSSIAN VINYL LONG OUT OF PRINT PRESSINGS ROUNDS OUT THIS 4 TITLE 6 LP SET
ALL THINGS MUST PASS - WITH A LOT OF BONUS TRACKS - On the heels of "Something" and "While My Guitar Gently Weeps," George Harrison must have felt he had little to prove as a songwriter. But unfortunately for him, those stellar efforts were in service of a band whose main songwriters were named Lennon and McCartney. But when the Beatles partnership dissolved in 1970, Harrison wasted little time in showcasing the body of work he'd accumulated the previous two years--or in trying to take Abbey Road's lavish production ethos to its next logical plateau. The resulting late-1970 double-album (originally released with a third bonus disc of instrumental "Apple Jams," which are still included here) was perhaps the most Beatles-sounding post-Fabs effort, a far cry from the two quirky solo efforts he'd undertaken while still in the band (the authentically Indian Wonderwall Music and the Moog wank-fest Electronic Sounds). Tracks like "Beware of Darkness," "All Things Must Pass," "The Art of Dying," "Isn't It a Pity," and the hit "My Sweet Lord" gave the album a strong spiritual center, balanced by the light-hearted "Apple Scruffs," "If Not For You," and the Bob Dylan collaboration "I'd Have You Anytime." Phil Spector's mammoth, orchestrally laced production took his trademark "wall of sound" to impressive new levels, all the more remarkable in light of the biting, minimalist work he was collaborating with John Lennon on, virtually simultaneously. Far and away Harrison's masterpiece; he'd have been wise to have saved a few of these songs for a rainy day.
1. I'd Have You Anytime
2. My Sweet Lord
3. Wah-Wah
4. Isn't It a Pity [Version One]
5. What Is Life
6. If Not for You
7. Behind That Locked Door
8. Let It Down
9. Run of the Mill
10. Beware of Darkness
11. Apple Scruffs
12. Ballad of Sir Frankie Crisp (Let It Roll)
13. Awaiting on You All
14. All Things Must Pass
1. I Dig Love
2. Art of Dying
3. Isn't It a Pity [Version Two]
4. Hear Me Lord
5. Out of the Blue
6. It's Johnny's Birthday
7. Plug Me In
8. I Remember Jeep
9. Thanks for the Pepperoni
BRAINWASHED - Completed by George Harrison's son Dhani and Jeff Lynne after the ex-Beatle succumbed to a long illness in November 2001, Brainwashed is a bittersweet reminder of the myriad contradictions that made Harrison such a compelling figure. One of the most warm, melodically rich albums in a career pockmarked by personal frankness and professional indifference in its latter years, Harrison finds rewarding ways here to reconcile bitter assessments of the material world (the title track) with more fleshy concerns, as his jaunty take on the Arlen-Koehler chestnut "The Devil and the Deep Blue Sea" ably demonstrates. Pushing the singer's distinctive dry voice to the forefront, and with Harrison's trademark slide guitar riffs as sinewy as ever, Lynne's showcase production is mostly spot-on and refreshingly restrained, while Dhani brings his own fresh, touchingly personal insights to the record. He double-tracked his own voice onto an old recording of his father chanting the traditional "Namah Parvati" and appended it as the album's spiritual benediction, a touching reminder that while musicians come and go, music can truly embody their spirit forever.
1. Any Road
2. P2 Vatican Blues (Last Saturday Night)
3. Pisces Fish
4. Looking for My Life
5. Rising Sun
6. Marwa Blues
7. Stuck Inside a Cloud
8. Run So Far
9. Never Get Over You
10. Between the Devil and the Deep Blue Sea
11. Rocking Chair in Hawaii
12. Brainwashed
LIVING IN A MATERIAL WORLD - George Harrison's 1973 follow-up to his All Things Must Pass might be underrated in comparison to its predecessor, but Living In The Material World was still an instant multimillion seller. In fact, it was the Number One album of 1973 and contains the Number One hit in "Give Me Love." PRESENTED IN A LIMITED EDITION deluxe gatefold jacket and all. Completely remastered, this new version also includes two rare bonus tracks and a 16-page booklet.
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Track Listings
Give Me Love (Give Me Peace On Earth)
Sue Me, Sue You Blues
The Light That Has Lighted The World
Don't Let Me Wait Too Long
Who Can See It
Living In The Material World
The Lord Loves The One (That Loves The Lord)
Be Here Now
Try Some Buy Some
The Day The World Gets 'Round
That Is All
Also what a tremendous GIFT" these masterpieces of vinyl will make any true fan.
I LOVE "33 1/3"-it's easily one of my two very favorite
George Harrison solo albums.Why do I love it so much? It has fantastic songs,
great lyrics and some exciting soul and funk influences. The
opening "Woman Don't Cry For Me" is a bass and clavinet-led
funk number with a blues arrangment featuring the wonderful
Billy Preston's keyboard work. Two fantastic,Beatle-like pop
numbers like the joke-of-court-proceeding "This Song" and
the instant classic "Crackerbox Palace". Most stunning though
are the contemporary soft soul tributes first to Smokey Robinson
called "Pure Smokey" (perhapes Harrison wrote it for Smokey-it
does sound like him) and the tranquil and beautiful soul ballad
"Learning how To Love You",a great way to chose any album.In
between these tunes like "It's What You Value",Dear One" and
"Beautful Girl" are just the kind of clever toss-off's that
Harrison was knocking out at this point. Anyone who hears this
today will be very saddned he is no longer with us.
1. Woman Don't You Cry for Me
2. Dear One
3. Beautiful Girl
4. This Song
5. See Yourself
6. It's What You Value
7. True Love
8. Pure Smokey
9. Crackerbox Palace
10. Learning How to Love You
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"Lynyrd Skynyrd - Live '87 Tour By The Grace Of God - OBI Mini LP Replica In A CD - Japanese"
LYNYRD SKYNYRD - LIVE 87 TOUR BY THE GRACE OF GOD - ONE OF OUR LAST COPIES OF THIS OUT OF PRINT LIMITED EDITION FOREVER. DON'T MISS OUT.
MOST OF THE TITLES ARE TOTALLY GONE FROM THE COLLECTORS MARKET AND ARE PRICELESS COLLECTIBLES.
This is a Japanese digitally re-mastered Mini LP replica Limited Edition Collection with OBI sash down the front – only 2,000 Collector pieces made world-wide and are immediately Out of Print. Recorded from the finest Original Masters available. Comes with anti-static sleeves similar to Vinyl LPs, Cardboard packaging like an LP. Actual miniaturized version of the 12” LP in 4” CD version.
Comes with sleeves similar to Vinyl LPs, Cardboard packaging like an ORIGINAL LP. Actual miniaturized version of the 12” LP in 4” CD version.
Beyond the tragedy, the history, the raging guitars and the killer songs, ultimately, Lynyrd Skynyrd is about an indomitable will. About survival of spirit; unbowed, uniquely American, stubbornly resolute.
With their first set of new studio material since 2003’s Vicious Cycle, legendary rock band Lynyrd Skynyrd returns with God & Guns, due out September 29 on Loud & Proud/Roadrunner Records. Recorded in Nashville in 2008-2009, the project was interrupted—but, tellingly, not ended—by the deaths of founding member/keyboardist Billy Powell and longtime bassist Ean Evans earlier this year.
Driven by core members Gary Rossington (guitar), Johnny Van Zant (vocals) and Rickey Medlocke (guitar), along with longtime drummer Michael Cartellone, Lynyrd Skynyrd have recorded an album (“under duress, as usual,” according to Van Zant) that very much lives up to the legacy begun some 35 years ago in Jacksonville, Florida, and halted for a decade by the 1977 plane crash that killed three band members, including Ronnie Van Zant and Steve Gaines. Since then, the band tragically lost Allen Collins, Leon Wilkeson and Huey Thomasson, yet they rock on.
With the passing of Powell and Evans, “a lot of people probably expected us to say enough is enough,” admits Medlocke. But that would not be the way of this Rock & Roll Hall of Fame powerhouse. With a catalog of over 60 albums and sales beyond 30 million, Lynyrd Skynyrd remains a cultural icon that appeals to all generations, and God & Guns is a fitting addition to the canon. The Skynyrd Nation awaits.
“We wanted to show the people that not only are we doing the old material, keeping the music going, but we still have some new tricks up our sleeves, too,” says founding guitarist Gary Rossington.
Returning to the studio after the death of Powell, whose keyboards can be heard on more than half the songs on God & Guns, was “very difficult, I ain’t gonna lie to you,” says Van Zant. “But we got through it, as Lynyrd Skynyrd seems to always do. Music’s a great healer. These songs needed to be out there, this record needed to be made. Gary, Rickey and myself just said ‘let’s go for it, let’s get this thing done.’”
Unfortunately, coping with loss is familiar to this band. “We just kind of fell back in,” says Rossington. “We’ve been doing this a long time, so you just kind of do what you do. As you get older, you get a little more used to it. You know it’s coming, and it’s coming to you, too. I just thank God for every day and all the time I had with the guys that aren’t with us anymore.”
The crying is over and now it’s time to rock. “We’ve had some really bad moments this year already, and I’m glad we’re able to pick ourselves up by our boot straps and just continue to play,” says Medlocke. “For us to weather through this makes this record even more special. I’m sure Billy and Ean are looking down upon us with big smiles.”
With noted rock producer Bob Marlette, input from guitarist John 5, and a wealth of material written by the band and a cadre of elite Skynyrd-minded songwriters, a remarkable album emerged. “We never really worked with producers that well, we kind of always wanted to do it our way,” admits Rossington. “But Bob Marlette came on and he’s such a great guy; he figured out how to talk to us musically, and we became friends instantly. He had a lot of fresh ideas and ways to do things, and also wanted to capture the old sounds, too.”
Of John 5, Rossington adds, “he’s probably one of the best guitar players I’ve ever played with, and I’ve played with a lot of great ones. He just lives with a guitar on him, and he knows that neck like nobody I’ve ever seen.”
With a backbone of Southern rock and country, passionate Van Zant vocals, and trademark layered guitars, God & Guns manages to maintain the iconic Skynyrd punch while sounding completely contemporary. Sure to attract attention in these politically divided times is the title track, which harbors a sense of menace and unwillingness to back down that hearkens back to Skynyrd’s earliest days. The band knows the song, and others like “That Ain’t My America,” will have their critics, but Medlocke says listeners should get beyond the title.
“It’s not just the words ‘God and guns.’ you gotta look past that and look at what this country was founded on: freedom,” Medlocke says. “Everybody should be able to make their own decisions and not be led around by a nose ring and told what to do and when to do it.”
And if some critics don’t like it, “that’s called freedom of choice,” says Medlocke, who carries his Native American heritage with pride. “I’m sure some critics will look at it, God & Guns, the rednecks are back.’ Well, the guys in this band aren’t rednecks, Rickey Medlocke’s the only damn redneck in this band ‘cause I got red skin.”
The title track, along with the unmistakable Skynyrd bite of the first single “Still Unbroken,” form thematic songs for an album laden with attitude, heart and purpose. “Skynyrd’s about tradition,” says Medlocke. “We are guys that don’t go around preaching about our own personal or political beliefs, although I’m sure you could probably guess mine. In this record is personal tragedy, personal relationships and being on the road, all under that umbrella of real life. That’s what we think, that’s what we believe, and we stand next to that title, God & Guns.”
To portray Skynyrd as a bunch of “gun nuts” would be incorrect, according to Van Zant. “I’m kind of like Ronnie, ‘handguns are made for killing,’ and I’ve never seen anybody shoot a deer with a .38,” he says. “I do own a bunch of rifles, I live out in the swamp, and you’ve got to protect yourself.”
Skynyrd is a band, after all, that has never shied away from standing up and speaking for a segment of the population whose voices are seldom heard. “Everybody’s so scared to say stuff these days, that’s not what I’m about,” says Van Zant. “We live in America, we can speak our minds. These are our values. That doesn’t mean we’re always right in everybody’s mind. Hopefully, we don’t offend a bunch of people. And if we do, well, get a record deal, man, and make your own songs.”
This is a band well aware of the responsibility that comes with putting the name ‘Lynyrd Skynyrd’ on anything, be it an album or a concert. “We feel like we have to keep the standards high,” says Rossington. “I wouldn’t put this record out, I’d fight not to, if I didn’t think it was good.”
And so Skynyrd stands, “still unbroken,” in 2009. “People may say, ‘they need the money,’ well I don’t think any of us need the money,” Van Zant says. “It’s just that we love the music, it’s bigger than the money, it’s not even about that any more. We have to make a living, sure, but it’s about the legacy of Lynyrd Skynyrd, and what it stands for, what the fans are all about. There’s nothing like getting out there playing a great show with Skynyrd and seeing people love this music.”
Adds Rossington, “We’re still standing, still keeping the music going.
SOUTHERN BY THE GRACE OF GOD - GATEFOLD COVER - This tour was conducted & recorded during 1987, 10 years after the fatefull plane crash of October, 1977. It was recorded live in several different cities. You can here Johnny addressing the various audiences from the various cities. The Master of Ceremonies is Lacy Van Zant (Ronnie,Donnie, & Johnny's Daddy). I wore out 2 casette tapes of this when it was originally released in 1988.
So, now I have the CD version.
The line-up:
Johnny Van Zant - lead vocals
Gary Rossington - guitar
Ed King - guitar/vocals
Leon Wilkeson - bass
Billy Powell - keyboards
Artimus Plye - drums
Dale Kranz Rossington -back-up vocals
Carol Bristow - back up vocals
Allen Collins -Arrangement Consultant
Ronnie Eades - Muscle Shoals Horn Section
Harvey Thompson -Muscle Shoals Horn Section
Lacy Van Zant - Master of Ceremonies
Special Appearances by:
Charlie Daniels - Fiddle, vocals
Steve Morse - guitar
Toy Caldwell (of the Marshall Tucker Band) -guitar
Jeff Carlisi - guitar
Donnie Van Zant - vocals
1. Introduction by Lacy Van Zant/Workin' for MCA
2. That Smell
3. I Know a Little
4. Comin' Home
5. You Got That Right
6. What's Your Name? [Live]
7. Gimme Back My Bullets
8. Swamp Music
9. Call Me the Breeze
10. Dixie/Sweet Home Alabama
11. Free Bird - (Johnny refused to sing this song, he said only one man could sing this song on stage, and that was his brother the late/great Ronnie Van Zant. Johnny hung Ronnie's hat on the Microphone, and walked off. So, what you get is an excellent Instrumental Tribute to the band members who were killed in the crash. At the begining Johnny says this one goes out to Ronnie Van Zant, Steve Gaines, Cassie Gaines, & Dean Kilpatrick.)
This tribute tour & band eventually became the continuance of Lynyrd Skynyrd, and they are still recording and touring today. This one's for the "true fan".
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"Lynyrd Skynyrd, Gimme Back My Bullets - Mini LP Replica in a CD with OBI Sash"
LYNYRD SKYNYRD - GIMME BACK MY BULLETS - ONE OF OUR LAST COPIES OF THIS OUT OF PRINT LIMITED EDITION FOREVER. DON'T MISS OUT.
MOST OF THE TITLES ARE TOTALLY GONE FROM THE COLLECTORS MARKET AND ARE PRICELESS COLLECTIBLES.
This is a Japanese digitally re-mastered Mini LP replica Limited Edition Collection with OBI sash down the front – only 2,000 Collector pieces made world-wide and are immediately Out of Print. Recorded from the finest Original Masters available. Comes with anti-static sleeves similar to Vinyl LPs, Cardboard packaging like an LP. Actual miniaturized version of the 12” LP in 4” CD version.
Comes with sleeves similar to Vinyl LPs, Cardboard packaging like an ORIGINAL LP. Actual miniaturized version of the 12” LP in 4” CD version.
ABSOLUTELY ONE OF THE BEST ALBUMS OF ALL TIME! Japanese Limited Edition Issue of the Album Classic in a Deluxe, Miniaturized LP Sleeve Replica of the Original Vinyl Album Artwork
Beyond the tragedy, the history, the raging guitars and the killer songs, ultimately, Lynyrd Skynyrd is about an indomitable will. About survival of spirit; unbowed, uniquely American, stubbornly resolute.
With their first set of new studio material since 2003’s Vicious Cycle, legendary rock band Lynyrd Skynyrd returns with God & Guns, due out September 29 on Loud & Proud/Roadrunner Records. Recorded in Nashville in 2008-2009, the project was interrupted—but, tellingly, not ended—by the deaths of founding member/keyboardist Billy Powell and longtime bassist Ean Evans earlier this year.
Driven by core members Gary Rossington (guitar), Johnny Van Zant (vocals) and Rickey Medlocke (guitar), along with longtime drummer Michael Cartellone, Lynyrd Skynyrd have recorded an album (“under duress, as usual,” according to Van Zant) that very much lives up to the legacy begun some 35 years ago in Jacksonville, Florida, and halted for a decade by the 1977 plane crash that killed three band members, including Ronnie Van Zant and Steve Gaines. Since then, the band tragically lost Allen Collins, Leon Wilkeson and Huey Thomasson, yet they rock on.
With the passing of Powell and Evans, “a lot of people probably expected us to say enough is enough,” admits Medlocke. But that would not be the way of this Rock & Roll Hall of Fame powerhouse. With a catalog of over 60 albums and sales beyond 30 million, Lynyrd Skynyrd remains a cultural icon that appeals to all generations, and God & Guns is a fitting addition to the canon. The Skynyrd Nation awaits.
“We wanted to show the people that not only are we doing the old material, keeping the music going, but we still have some new tricks up our sleeves, too,” says founding guitarist Gary Rossington.
Returning to the studio after the death of Powell, whose keyboards can be heard on more than half the songs on God & Guns, was “very difficult, I ain’t gonna lie to you,” says Van Zant. “But we got through it, as Lynyrd Skynyrd seems to always do. Music’s a great healer. These songs needed to be out there, this record needed to be made. Gary, Rickey and myself just said ‘let’s go for it, let’s get this thing done.’”
Unfortunately, coping with loss is familiar to this band. “We just kind of fell back in,” says Rossington. “We’ve been doing this a long time, so you just kind of do what you do. As you get older, you get a little more used to it. You know it’s coming, and it’s coming to you, too. I just thank God for every day and all the time I had with the guys that aren’t with us anymore.”
The crying is over and now it’s time to rock. “We’ve had some really bad moments this year already, and I’m glad we’re able to pick ourselves up by our boot straps and just continue to play,” says Medlocke. “For us to weather through this makes this record even more special. I’m sure Billy and Ean are looking down upon us with big smiles.”
With noted rock producer Bob Marlette, input from guitarist John 5, and a wealth of material written by the band and a cadre of elite Skynyrd-minded songwriters, a remarkable album emerged. “We never really worked with producers that well, we kind of always wanted to do it our way,” admits Rossington. “But Bob Marlette came on and he’s such a great guy; he figured out how to talk to us musically, and we became friends instantly. He had a lot of fresh ideas and ways to do things, and also wanted to capture the old sounds, too.”
Of John 5, Rossington adds, “he’s probably one of the best guitar players I’ve ever played with, and I’ve played with a lot of great ones. He just lives with a guitar on him, and he knows that neck like nobody I’ve ever seen.”
With a backbone of Southern rock and country, passionate Van Zant vocals, and trademark layered guitars, God & Guns manages to maintain the iconic Skynyrd punch while sounding completely contemporary. Sure to attract attention in these politically divided times is the title track, which harbors a sense of menace and unwillingness to back down that hearkens back to Skynyrd’s earliest days. The band knows the song, and others like “That Ain’t My America,” will have their critics, but Medlocke says listeners should get beyond the title.
“It’s not just the words ‘God and guns.’ you gotta look past that and look at what this country was founded on: freedom,” Medlocke says. “Everybody should be able to make their own decisions and not be led around by a nose ring and told what to do and when to do it.”
And if some critics don’t like it, “that’s called freedom of choice,” says Medlocke, who carries his Native American heritage with pride. “I’m sure some critics will look at it, God & Guns, the rednecks are back.’ Well, the guys in this band aren’t rednecks, Rickey Medlocke’s the only damn redneck in this band ‘cause I got red skin.”
The title track, along with the unmistakable Skynyrd bite of the first single “Still Unbroken,” form thematic songs for an album laden with attitude, heart and purpose. “Skynyrd’s about tradition,” says Medlocke. “We are guys that don’t go around preaching about our own personal or political beliefs, although I’m sure you could probably guess mine. In this record is personal tragedy, personal relationships and being on the road, all under that umbrella of real life. That’s what we think, that’s what we believe, and we stand next to that title, God & Guns.”
To portray Skynyrd as a bunch of “gun nuts” would be incorrect, according to Van Zant. “I’m kind of like Ronnie, ‘handguns are made for killing,’ and I’ve never seen anybody shoot a deer with a .38,” he says. “I do own a bunch of rifles, I live out in the swamp, and you’ve got to protect yourself.”
Skynyrd is a band, after all, that has never shied away from standing up and speaking for a segment of the population whose voices are seldom heard. “Everybody’s so scared to say stuff these days, that’s not what I’m about,” says Van Zant. “We live in America, we can speak our minds. These are our values. That doesn’t mean we’re always right in everybody’s mind. Hopefully, we don’t offend a bunch of people. And if we do, well, get a record deal, man, and make your own songs.”
This is a band well aware of the responsibility that comes with putting the name ‘Lynyrd Skynyrd’ on anything, be it an album or a concert. “We feel like we have to keep the standards high,” says Rossington. “I wouldn’t put this record out, I’d fight not to, if I didn’t think it was good.”
And so Skynyrd stands, “still unbroken,” in 2009. “People may say, ‘they need the money,’ well I don’t think any of us need the money,” Van Zant says. “It’s just that we love the music, it’s bigger than the money, it’s not even about that any more. We have to make a living, sure, but it’s about the legacy of Lynyrd Skynyrd, and what it stands for, what the fans are all about. There’s nothing like getting out there playing a great show with Skynyrd and seeing people love this music.”
Adds Rossington, “We’re still standing, still keeping the music going.
"Pronounced" is a great album. "Street Survivors" and "Gimme Back My Bullets" (which is SO underrated!) are great, too, and "Nuthin' Fancy" is a gem, but the greatest studio album ever put out by Skynyrd has to be "Second Helping." Buy them all (and also "One More From The Road [Deluxe Edition]" and, if you want to hear what the new version of the band sounds like, "Edge Of Forever"), but put this album at the top of the list.
GIMME BACK MY BULLETS - WITH TWO BONUS TRACKS
1. Gimme Back My Bullets
2. Every Mother's Son
3. Trust
4. I Got the Same Old Blues
5. Double Trouble
6. Roll Gypsy Roll
7. Searching
8. Cry for the Bad Man
9. All I Can Do Is Write About It
10. Gimme Back My Bullets [Live][#][*]
11. Cry for the Bad Man [Live][#][*]
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"Def Leppard, Pyromania - Sealed MFSL 24 Karat Gold CD"
MFSL 24K GOLD CD Ultradisc
Track listing
1. Rock! Rock! Till You Drop
2. Photograph
3. Stagefright
4. Too Late For Love
5. Die Hard The Hunter
6. Foolin'
7. Rock Of Ages
8. Comin' Under Fire
9. Action! Not Words
10. Billy's Got A Gun
Details
Playing time: 44 min.
Producer: Robert John "Mutt" Lange
Distributor: n/a
Recording type: Studio
Recording mode: Stereo
SPAR Code: AAD
Album notes
Def Leppard: Joe Elliot (vocals); Steve "Steamin" Clark, Phil Collen, Pete Willis (guitar); Rick Savage (bass); Rick Allen (drums).
Additional personnel: John Kongos, Booker T. Roffin, Charile (keyboards); The Leppardettes (background vocals).
Recorded at Park Gates Studios, Battle, Sussex, England and Battery Studios, London, England.
Although many music fans were convinced that Def Leppard would become hard rock's next big band, few could have predicted the massive across-the-boards success that its third record, 1983's PYROMANIA, achieved. Many wondered why it was taking the group so long to release a follow-up to 1981's HIGH 'N' DRY, but the finished product was well worth the wait. Not only did it become one of the year's best-selling albums and made the band instant U.S. arena headliners, but it has remained a consistent seller ever since (by 1994, it had reached nine million units in the U.S. alone).
The songwriting and overall sound was more streamlined and succinct this time around--while there are guitar riffs galore, the songs have more of a pop feel. Founding guitarist Pete Willis left during the recording, replaced by Phil Collen, who fit in perfectly with the band. The album features such mega-hits as "Photograph," "Rock of Ages," and "Foolin'," as well as a couple of other tracks that could have easily been singles as well, "Rock Rock (Till You Drop)" and "Too Late for Love." PYROMANIA remains one of the best and most popular hard-rock recordings of the '80s.
SKU Number: UDCD 520
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"Wynton Marsalis, ST - CBS MasterSound Longbox"
Wynton Marsalis - WYTON MARSALIS - Longbox
24-Karat Gold CBS Sealed CD - First Edition - LAST COPY FOREVER
Japan Pressed Long Box Long Out of Print and one of the Rarest in the Audiophile Gold CD Market. As every collector knows, in the years to come, First Generation CDs (CBS) should be valued higher than Second Generation Pressings (MFSL) -- especially First Generation Long Box Japanese Pressed! What a tremendous GIFT will Masterpiece of GOLD will make any true fan!!
Wynton Marsalis’s 1982 debut was recorded before the trumpeter had reached his 20th birthday and when he was still a member of Art Blakey’s Jazz Messengers. In many ways, it was a pivotal event for Jazz in the eighties. As Marsalis became the central figure in a return to the acoustic style of the late fifties and sixties and the model for all young lions to come. While there are elements of Miles Davis in Marsalis’ style, the strongest parallels are with Lee Morgan and Freddie Hubbard.
The pyrotechnic trumpeters who arrived at about the same age in the late fifties and who first made their talents known in Blakey’s group. Even with a Harmon mute on Ron Carter’s JR, Marsalis suggests Hubbard’s precise articulation. Saxophonist Branford Marsalis recalls Wayne Shorter’s prefusion style and Herbie Hancock, Ron Carter and Tony Williams featured on four tracks pick up where they had left off with Miles Davis and on numerous Blue Note dates.
The music is taut, thoughtful, and filled with youth bravado but more fascinating still is how a leading edge style of the sixties succumbed to fusion in the seventies only to return as a full blown conservative movement in the next decade.
Selections include Father Time - I’ll Be There When The Time Is Right - RJ - Hesitation - Sister Cheryl - Who Can I Turn To - Twilight.
SKU Number: CBSCD 64418
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"AC DC, Limited Edition Collector's Box Set (15 LPs) - 180 Gram"
180 Gram Limited Edition Analog Virgin Vinyl.
Each of the 15 individual remastered vinyl titles complete in one incredible box set! The ultimate collectable for the serious AC/DC enthusiast!
THIS IS THE 1ST EDITION RELEASE WITH THE SILVER MARKETING STICKER STILL ATTACHED ON THE PLASTIC WRAP SEALING THE BOX SET. NOW OUT OF PRINT AND PROBABLY ONE OF THE LAST STILL SEALED WITH ALL OF THE ORIGINAL 1ST EDITION 180 GRAM TITLES INCLUDED.
Albums Included:
"'74 Jailbreak"
"High Voltage"
"Dirty Deeds Done Dirt Cheap"
"Let There Be Rock"
"Powerage"
"If You Want Blood You've Got It"
Highway To Hell"
"Back In Black"
"For Those About To Rock We Salute You"
"Flick Of The Switch"
"Fly On The Wall"
"Who Made Who"
"Blow Up Your Video"
"The Razor Edge"
"Live(LP Collector's Edition)".
HIGHWAY TO HELL
“Given that Bon Scott’s hard-partying, sex-booze-and-brawls lifestyle tragically caught up with him some six months after Highway to Hell was released, the album-opening title track — one of hard rock’s all-time classics — now takes on an eerie resonance. It’s not just a snotty, nihilistic party anthem, but a moment of unrepentant self-recognition from a rowdy ruffian who, for better or worse, exulted in what he was. The rest of the songs on Highway to Hell don’t lend themselves to any deep readings, but of course, that’s not the point. Highway to Hell distilled all the virtues of AC/DC’s signature minimalism — loud, simple, pounding riffs and grooving backbeats — into the tightest batch of songs the group had written to that point, barreling along at a take-no-prisoners rate and producing a handful of gems.”
Side One
1. Highway To Hell
2. Girls Got Rhythm
3. Walk All Over You
4. Touch Too Much
5. Beating Around The Bush
Side Two
1. Shot Down In Flames
2. Get It Hot
3. If You Want Blood (You've Got It)
4. Love Hungry Man
5. Night Prowler
BACK IN BLACK - Back In Black was the group’s first album with new vocalist Brian Johnson and was released only five months after Bon Scott’s alcohol-related death in early 1980. This album eventually became one of rock’s all-time classics. Johnson had the same bluesy edge as Scott but even more power. Back In Black contains such rock anthems as the title track, “Hell’s Bells,” “Shoot To Thrill,” “Rock and Roll Ain’t Noise Pollution” and “You Shook Me All Night Long.”
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Track Listings
1. Back In Black
2. Hells Bells
3. Shoot To Thrill
4. Givin The Dog A Bone
5. What Do You Do For Money Honey
6. Rock And Roll Ain't Noise Pollution
7. Let Me Put My Love Into You
8. You Shook Me All Night Long
9. Shake A Leg
10. Have A Drink On Me
DIRTY DEEDS DONE CHEAP - Originally released in 1975, Dirty Deeds Done Dirt Cheap did not hit the U.S. until 1981 when AC/DC became rock icons the previous year and fans were hungry for more material featuring the band’s late singer, Bon Scott. The title track became a concert staple and one of their best-known tracks.
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Track Listings
Side One
1. Dirty Deeds Done Dirt Cheap
2. Love At First Feel
3. Big Balls
4. Rocker
5. Problem Child
Side Two
1. There's Gonna Be Some Rockin'
2. Ain't No Fun (Waiting Round To Be A Millionaire) Album Version
3. Ride On
4. Squealer
THE RAZOR'S EDGE - At the dawn of the 1990’s, rock (and particularly hard rock) was having a massive identity crisis. For that matter, so was AC/DC. While the Seattle bands were dueling with the silly (yet still extremely commercial) hair bands for rooms in fans’ hearts, AC/DC were re-grouping, readying their assault for a new generation. Tackling the songwriting themselves, brother Angus and Malcolm Young created The Razor’s Edge. Produced by hard rock guru Bruce Fairbairn, AC/DC proved that when it comes to music, fans won’t categorize — as long as it ROCKS!
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Track Listings
Side One
1. Thunderstruck
2. Fire Your Guns
3. Moneytalks
4. The Razors Edge
5. Mistress For Christmas
6. Rock Your Heart Out
Side Two
1. Are You Ready
2. Got You By The Balls
3. Shot Of Love
4. Let's Make It
5. Goodbye And Good Riddance To Bad Luck
6. If You Dare
74 JAILBREAK - ’74 Jailbreak features forgotten tracks from the band’s early days, with Bon Scott as the lead singer. This one’s short but sweet and provides an important glimpse into how AC/DC came to become the world-power rockers we know them as today.
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Track Listings
Side One
1. Jailbreak
2. You Ain't Got A Hold On Me
3. Show Business
Side Two
1. Soul Stripper
2. Baby, Please Don't Go
POWERAGE - Merited for its song variety, artistic expression and sonic clarity, Powerage is favored by many aficionados to be AC/DC’s most accomplished performance in a studio setting. Recorded in Australia circa 1978, Powerage also ushered in a new era of sorts, for it marked the debut of London, England bassist Cliff Williams, whose driving, eighth-note bottom brought AC/DC’s attack to full caliber. The final album to be recorded with production team Vanda & Young during the Bon Scott era, Powerage was their most focused work to date and really showcases Angus Young’s fiery guitar playing.
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Track Listings
Side One
1. Rock 'N' Roll Damnation
2. Down Payment Blues
3. Gimme A Bullet
4. Riff Raff
Side Two
1. Sin City
2. What's Next To The Moon
3. Gone Shootin'
4. Up To My Neck In You
5. Kicked In The Teeth
IF YOU WANT BLOOD YOU'VE GOT IT - AC/DC’s first live release, If You Want Blood You’ve Got It was recorded in 1978 in support of the Powerage album. It doesn’t include as many of the band’s all-time classics as Live, but this set showcases the band’s early obnoxious antics.
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Track Listings
Side One
1. Riff Raff Live
2. Hell Ain't A Bad Place To Be Live
3. Bad Boy Boogie Live
4. The Jack Live
5. Problem Child Live
Side Two
1. Whole Lotta Rosie Live
2. Rock 'N' Roll Damnation Live
3. High Voltage Live
4. Let There Be Rock Live
5. Rocker Live
FLICK OF A SWITCH - For Flick Of The Switch, AC/DC ditched producer “Mutt” Lange in an attempt to get back to the raw sound of their roots. Still, record sales were disappointing and their 1980’s funk continued.
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Track Listings
Side One
1. Rising Power
2. This House Is On Fire
3. Flick Of The Switch
4. Nervous Shakedown
5. Landslide
Side Two
1. Guns For Hire
2. Deep In The Hole
3. Bedlam In Belgium
4. Badlands
5. Brain Shake
FOR THOSE WHO ARE ABOUT TO ROCK WE SALUTE YOU -
The title pretty much sums it up — AC/DC’s music is all about the fans. And before you even drop the needle, you KNOW what you’re getting yourself into. Pressured to three-peat with super producer “Mutt” Lange, AC/DC labored over the follow-up to mega-selling Back In Black, switching studios several times until the sound was finally just right. For Those About To Rock stands as a testament to the absolute dedication the band has to giving their fans only the best.
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Track Listings
Side One
1. For Those About To Rock (We Salute You)
2. I Put The Finger On You
3. Let's Get It Up
4. Inject The Venom
5. Snowballed
Side Two
1. Evil Walks
2. C.O.D.
3. Breaking The Rules
4. Night Of The Long Knives
5. Spellbound
FLY ON YOUR WALL - While Fly On The Wall is not one of AC/DC’s most memorable efforts, it does contain a few great songs, including “Shake Your Foundations” and “Sink the Pink” (both of which later appeared on Who Made Who).
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Track Listings
Side One
1. Fly on the Wall
2. Shake Your Foundations
3. First Blood
4. Danger
5. Sink The Pink
Side Two
1. Playing With Girls
2. Stand Up
3. Hell Or High Water
4. Back In Business
5. Send For The Man
BLOW UP YOUR VIDEO - Their first new studio album of all-new material in three years, 1988’s Blow Up Your Video was AC/DC’s most successful album since 1981’s For Those About To Rock. Highlights are “Heatseeker” and “That’s The Way I Want To Rock & Roll.”
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Track Listings
Side One
1. Heatseeker
2. That's The Way I Wanna Rock 'N' Roll
3. Meanstreak
4. Go Zone
5. Kissin' Dynamite
Side Two
1. Nick Of Time
2. Some Sin For Nuthin'
3. Ruff Stuff
4. Two's Up
5. This Means War
WHO MADE WHO - AC/DC was already the biggest band in the world when master horror writer (and huge fan) Steven King asked them to contribute music to his 1986 film Maximum Overdrive. Filled with nightmarish images of cars, trucks, jukeboxes and all other types of heavy metal machinery coming to life, the film was perfectly suited to the take-no-prisoners rock of AC/DC. Contributing three new songs to the film, as well as six certifiable rock classics, the soundtrack also re-ignited interest in AC/DC’s catalog and made “You Shook Me All Night Long” a staple at MTV.
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Track Listings
Side One
1. Who Made Who
2. You Shook Me All Night Long
3. D.T.
4. Sink The Pink
5. Ride On
Side Two
1. Hells Bells
2. Shake Your Foundations
3. Chase The Ace
4. For Those About To Rock (We Salute You)
LET THERE BE ROCK - With its almost biblical overtones, Let There Be Rock came screaming out of Australia in 1977 as AC/DC’s first stab at a real album. As a mission statement, it comes across as a fresh start — a break from the early “novelty” approach to songwriting and a move to the more focused album-oriented view that the band would perfect. Let There Be Rock was the brooding sound of AC/DC putting the world and particularly their critics on notice that their march had really begun, that they were as serious as a cardiac condition with a megaton of amplification. It simply wasn’t possible to make more exciting rock and roll.
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Track Listings
Side One
1. Go Down
2. Dog Eat Dog
3. Let There Be Rock
4. Bad Boy Boogie
Side Two
1. Problem Child
2. Overdose
3. Hell Ain't A Bad Place To Be
4. Whole Lotta Rosie
AC/DC LIVE - Recorded on the Razor’s Edge 1991 tour, AC/DC Live captures the hype and excitement that made AC/DC such a hit in concert. The set list centers around the band’s biggest hard-rock hits like “Dirty Deeds Done Dirt Cheap,” “Highway To Hell,” “Hells Bells” and “Back In Black.” The sound is excellent, raw and powerful.
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Track Listings
Side One
1. Thunderstruck
2. Shoot To Thrill
3. Back In Black
4. Sin City
5. Who Made Who
6. Fire Your Guns
Side Two
1. Jailbreak
2. The Jack
3. The Razors Edge
4. Dirty Deeds Done Dirt Cheap
Side Three
1. Hells Bells
2. Heatseeker
3. That's The Way I Wanna Rock 'N' Roll
4. High Voltage
5. You Shook Me All Night Long
Side Four
1. Whole Lotta Rosie
2. Let There Be Rock
3. Highway To Hell
4. T.N.T.
5. For Those About To Rock (We Salute You)
HIGH VOLTAGE - AC/DC’s debut album. This is pure rock at its absolute rawest. The tunes are rude, sometimes even sexist. High Voltage screams of the band’s early hard-partying lifestyle.
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Track Listings
Side One
1. It's A Long Way To The Top (If You Wanna Rock 'N' Roll)
2. Rock 'N' Roll Singer
3. The Jack
4. Live Wire
Side Two
1. T.N.T.
2. Can I Sit Next To You Girl
3. Little Lover
4. She's Got Balls
5. High Voltage
SKU Number: DOLP AEPI90643
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"Madonna, Who's That Girl"
MADONNA'S WHO'S THAT GIRL - ORIGINAL 1987 SIRE RECORDS MOVIE SOUNDTRACK - STILL WITH THE ORIGINAL MARKETING STICKER ON THE PLASTIC WRAP. ( original release with a small cutout in jacket) - OUT OF PRINT FOR DECADES
Madonna's film career has never really taken off, despite being launched way back in 1985 with Desperately Seeking Susan. In 1987, she starred in the flop film Who's That Girl. The film showed strong promised, but basically flopped worldwide. The soundtrack to the film, however, was the bigger hit of the two and went on to sell 8 million copies worldwide, and includes some pretty big hits. Granted, the soundtrack isn't Madonna's best - I'm Breathless is - but this is a worthy album for any Madonna fan's collection. If you're a Madonna fan and were thinking of purchasing this record without hesitation, beware! The album has only nine songs on it - and only four of those are by Madonna herself. The others are by lesser-known acts such as Duncan Faure, Club Nouveau, Michael Davidson, Scritti Politti and Coati Mundi! Because of this - and because the record says "Madonna" at the top - I will only be reviewing the songs by Madonna...
Who's That Girl starts with the massive UK No.1 single of the same name, Who's That Girl (10/10). It topped the UK chart in July 1987 and was also a US No.1. The song has some fun lyrics and the bassline and beats are very traditional of Madonna's musical style at the time - very upbeat, poppy and fun. Causing A Commotion (10/10) is the next song. Released in September of 1987, the song peaked at No.4 in the UK and was a big hit with audiences at Madonna's "Who's That Girl?" World Tour in 1987. The song has the usual big beats and catchy, funky and melodic beats to groove around to. The Look Of Love (9/10) is another excellent mid-tempo ballad from Madonna, which peaked at No.9 in the UK in December 1987. The lyrics, "No where to run/No where to hide/From the look of love/From the eyes of mine," are not only catchy, but instantly recognisable. The bassline is heavy and the beat has a great "bouncy" feel to it. The final song from Madonna on Who That Girl - Original Motion Picture Soundtrack is Can't Stop (9/10). This song is yet another superb pop dance hit from Madonna. It was never released as a single, like the other three songs I have just written about, but it definitely deserved to be. At almost five minutes, it's the longest song on this soundtrack which gives you more time to get into it. The song sounds almost identical to Where's The Party or Love Makes The World Go Round from Madonna's 1986 release, True Blue. The beat is bouncy, Madonna's voice is on top-form and the vocal arrangement is genius. OK, the lyrics aren't exactly the best in the world - but that doesn't matter! Live a little! Get up and get your groove on to Madge!
SKU Number: DOLP 25611
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"The Who, Direct Hits - 200 Gram LP - Mono LP with Poster"
THE WHO DIRECT HITS Limited Edition Sealed 200 Gram MONO LP WITH POSTER - IS NOW OUT OF PRINT IN THIS 200 GRAM PRESSING.
Classic Records has proven to be an Audiophile Company second to none in the new millennium. But Classic Records, unlike other top Audiophile Companies, does not place Limited Edition numbers on their LP jackets.
Classic Records has just announced that their vinyl weight of 200 gram is now changing to 180 gram.
What this change did for Collectors of the finest vinyl pressings was establish a First Edition element to Classic Records Audiophile pressings. All Classic Records titles that were only produced in 200 Gram pressings are now Out of Print and Very Limited Edition Collector's First Edition Pressings.
These First Editions have become some of the rarest pressings in the Audiophile Collector's Market. Just try to find them at any Audiophile Retailer after the next few months. You might still find some limited inventory of M-F-S-L or DCC pressings and these 200 gram Classic Records titles will now become that rare in the collectors market. They are simply gone from the market and Mymusicfix has seen some these First Editions sell for over $300.
When you take that into consideration, what will this First Edition Audiophile Pressing be worth in the years ahead? It could be one of the most collectible pressings ever in this 200 Gram First Editions.
How rare and valuable are each one of these 200 gram sets now still Factory Sealed? Priceless!
Mymusicfix is giving you one of the last chances to collect one of these 200 Gram First Editions. Mymusicfix has a very limited amount of these now Rare Factory Sealed pressings. We're sure you may not have known about some of these titles existed. Have fun collecting these Masterpieces!
These are tremendous titles and artists that Mymusicfix still has in these 200 Gram First Editions but we have very few pieces left of each title and prices will
continue to rise as inventory continues to dwindle.
“Classic Quiex SV - Super Vinyl" is a new vinyl formulation noticeably superior to all previous vinyl formulas used. The music on records made using Classic Quiex SV is more detailed, has richer harmonics and a more precise soundstage presentation Quiex SV is used exclusively and will have a sticker that identifies them as such....
This Heavy Vinyl LP has been critically acclaimed as the finest and quietest ever produced. It is a new listening experience that will virtually make you feel as if you were in the studio with the band. The nicest thing you can do for your stylus and ears. So, sit back, relax, enjoy the music, and remember the sound
Originally released in 1968 by fledgling UK indie label Track Records for the European market only, this compilation of five single sides plus various album cuts became an instant have on both sides of the Atlantic. Utilizing the original monaural mixes throughout, we've recreated one of the most sought after collector' items in classic rock. Rare mono masters of hits such as I Can See For Miles, Substitute, Happy Jack, I'm A Boy and Pictures of Lily never sounded so good. Mastered at Bernie Grundman Mastering in Hollywood by Chris Bellman and cut from the original full track mono takes on Classic's ALL TUBE MONO cutting system - no mono cut on a stereo cutting system here! Pressed on Classic's proprietary 200g Super Vinyl profile this reissue puts you closer to the master tape than any other LP - get it while its Hot, baby!
SKU Number: DOLP 612
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"Slade, Slayed - OBI Box Set of 6 Minis"
SLADE - SLAYED - Japanese OBI MINI REPLICA LP TITLES making a 6 CD Box Set-
Japanese OBI MINI REPLICA BOX SET
Japanese re-mastered Mini LP replica Limited Edition Collection
Recorded from the finest Original Masters available.
Special VERY RARE LIMITED EDITION BOX SET ONLY PRODUCED ON FUTURES FOR THIS ONE TIME PRESSING -- were only available in Japan.
THE BOX SET - INCLUDES
SLADE ALIVE - Track Listings
1. Hear Me Calling
2. In Like a Shot From My Gun
3. Darling Be Home Soon
4. Know Who You Are
5. Keep on Rocking
6. Get Down with It
7. Born to Be Wild
OLD NEW BORROWED AND BLUE -
Track Listings
1. Just a Little Bit
2. When the Lights Are Out
3. My Town
4. Find Yourself a Rainbow
5. Miles out to Sea
6. We're Really Gonna Raise the Roof
7. Do We Still Do It
8. How Can It Be
9. Don't Blame Me
10. My Friend Stan
11. Everyday
12. Good Time Gals
13. I'm Mee I'm Now and That's Orl [*]
14. Kill 'Em at the Hot Club Tonite [*]
15. Bangin' Man [*]
16. She Did It to Me [*]
17. Slade Talk to "19" Readers [*]
SLADE IN FLAME - Track Listings
1. Standin' on the Corner
2. Them Kinda Monkeys Can't Swing
3. How Does It Feel
4. Far Far Away
5. O.K.
6. Yesterday Was Yesterday
7. This Girl
8. Heaven Knows
9. Summer Song (Wishing You Were Here)
10. So Far So Good
11. Lay It Down
PLAY IT LOUD - Track Listings
1. Raven
2. See Us Here
3. Dapple Rose
4. Could I
5. One Way Hotel
6. Shape of Things to Come
7. Know Who You Are
8. I Remember
9. Pouk Hill
10. Angelina
11. Dirty Joker
12. Sweet Box
SLADED - Track Listings
1. How d'You Ride
2. Whole World's Goin' Crazee
3. Look at Last Nite
4. I Won't Let It 'Appen Agen
5. Move Over
6. Gudbuy T'Jane
7. Gudbuy Gudbuy
8. Mama Weer All Crazee Now
9. I Don' Mind
10. Let the Good Times Roll/Feel So Fine
11. My Life Is Natural [*]
12. Candidate [*]
13. Wonderin' Y [*]
14. Man Who Speeks Evil [*]
15. Slade Talk to 'Melanie' Readers
AMBROSE SLADE THE BEGINNINGS - Track Listings
1. Genesis
2. Everybody's Next One
3. Knocking Nails into My House
4. Roach Daddy
5. Ain't Got No Heart
6. Pity the Mother
7. Mad Dog Cole
8. Fly Me High
9. If This World Were Mine
10. Martha My Dear
11. Born to Be Wild
12. Journey to the Centre of Your Mind
These are Japanese digitally re-mastered Mini LP replica CDs (the OBI Edition).
This Limited Edition Collection has only VERY FEW made world-wide and are immediately Out of Print. Recorded from the finest Original Masters available. Comes with anti-static sleeves similar to Vinyl LPs, Cardboard packaging like an LP, includes extensive Liner Notes Booklet. Actual miniaturized version of the 12inch LP in 4inch CD version.
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"The Who, Quadrophenia - 200 Gram Double LP"
THE WHO - QUADROPHENIA Limited Edition Sealed 200 Gram DOUBLE LP SET EXACT TO THE ORIGINAL.
Classic Records has proven to be an Audiophile Company second to none in the new millennium. But Classic Records, unlike other top Audiophile Companies, does not place Limited Edition numbers on their LP jackets.
Classic Records has just announced that their vinyl weight of 200 gram is now changing to 180 gram.
What this change did for Collectors of the finest vinyl pressings was establish a First Edition element to Classic Records Audiophile pressings. All Classic Records titles that were only produced in 200 Gram pressings are now Out of Print and Very Limited Edition Collector's First Edition Pressings.
These First Editions have become some of the rarest pressings in the Audiophile Collector's Market. Just try to find them at any Audiophile Retailer after the next few months. You might still find some limited inventory of M-F-S-L or DCC pressings and these 200 gram Classic Records titles will now become that rare in the collectors market. They are simply gone from the market and Mymusicfix has seen some these First Editions sell for over $300.
When you take that into consideration, what will this First Edition Audiophile Pressing be worth in the years ahead? It could be one of the most collectible pressings ever in this 200 Gram First Editions.
How rare and valuable are each one of these 200 gram sets now still Factory Sealed? Priceless!
Mymusicfix is giving you one of the last chances to collect one of these 200 Gram First Editions. Mymusicfix has a very limited amount of these now Rare Factory Sealed pressings. We're sure you may not have known about some of these titles existed. Have fun collecting these Masterpieces!
These are tremendous titles and artists that Mymusicfix still has in these 200 Gram First Editions but we have very few pieces left of each title and prices will
continue to rise as inventory continues to dwindle.
“Classic Quiex SV - Super Vinyl" is a new vinyl formulation noticeably superior to all previous vinyl formulas used. The music on records made using Classic Quiex SV is more detailed, has richer harmonics and a more precise soundstage presentation Quiex SV is used exclusively and will have a sticker that identifies them as such....
After the worldwide success of Tommy, Pete Townshend decided to take a second stab at "rock opera" and 1973's Quadrophenia was the result. Its premise is rooted in a teenage perspective in 1964-'65, and the friction between "mods and rockers" in the London and Brighton regions of the UK. The four-way split personality of the central figure "Jimmy" has been admitted by Townshend as also being based on the distinct personalities of the four band members. The legendary Glyn Johns' production is both powerful and stunning with the writing and arrangements, featuring maybe the most tasteful use of both sound effects and synthesizers in rock recording, brilliant. This LP was mastered and cut from the original ¼" analog master tapes by Chris Bellman at Bernie Grundman Mastering using Classic's all-tube analog cutting system. Gatefold artwork including tipped-in 44-page booklet are given the usual Classic authenticity treatment down to the paper stock being original.
Track Listings
1. I Am The Sea
2. The Real Me
3. Quadrophenia
4. Cut My Hair
5. The Punk And The Godfather
6. I'm One
7. The Dirty Jobs
8. Helpless Dancer
9. Is It In My Head
10. I've Had Enough
11. 5:15
12. Sea And Sand
13. Drowned
14. Bell Boy
15. Doctor Jimmy
16. The Rock
17. Love, Reign O'er Me
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"Steve Hackett, Bay Of Kings/Tell We Have Faces Set - OBI 15 CD Box Set"
STEVE HACKETT - BAY OF KINGS/TELL WE HAVE FACES SET - Japanese OBI MINI REPLICA LP TITLES making a 15 CD Box Set-
Japanese OBI MINI REPLICA BOX SET
Japanese re-mastered Mini LP replica Limited Edition Collection
Recorded from the finest Original Masters available. Each title Comes with anti-static sleeves similar to Vinyl LPs, Cardboard packaging exact to the original LP, Re-sealable plastic wrap cases for protection of each collectible and include extensive Liner Notes Booklet. Actual miniaturized version of the 12” LP in 4” CD version
Special VERY RARE LIMITED EDITION BOX SET ONLY PRODUCED ON FUTURES FOR THIS ONE TIME PRESSING -- were only available in Japan.
First-pressing-only 15 CD box set containing paper-sleeve editions of STEVE HACKETT EDITION WITH THESE TITLES: Japanese limited edition issue of the album classic in a deluxe, miniaturized LP sleeve replica of the original vinyl album artwork.
CURED - Track Listings
1. Hope I Don't Wake
2. Picture Postcard
3. Can't Let Go
4. Air-Conditioned Nightmare
5. Funny Feeling
6. Cradle Of Swans
7. Overnight Sleeper
8. Turn Back Time
9. Tales Of The Riverbank (Bonus Track)
10. Second Chance (Bonus Track)
11. Air-Conditioned Nightmare Live Version Recorded At The Reading Festival (Bonus
HIGHLY STRUNG - Track Listings
1. Camino Royale
2. Cell 151
3. Always Somewhere Else
4. Walking Through Walls
5. Give It Away
6. Weightless
7. Group Therapy
8. India Rubber Man
9. Hackett To Pieces
10. Guitar Boogie (Bonus Track)
11. Walking Through Walls(12' Version) (Bonus Track)
12. Time Lapse At Milton Keynes (Bonus Track)
BAY OF KINGS - Track Listings
1. Bay of Kings
2. Journey
3. Kim
4. Marigold
5. St. Elmo's Fire
6. Petropolis
7. Second Chance
8. Cast Adrift
9. Horizons
10. Black Light
11. Barren Land
12. Calmaria
13. Time Lapse at Milton Keynes
14. Tales of the Riverbank
15. Skye Boat Song
MOMENTUM - Track Listings
1. Cavalcanti
2. Sleeping Sea
3. Portrait of a Brazilian Lady
4. When the Bell Breaks
5. Bed, A Chair and a Guitar
6. Concert for Munich
7. Last Rites of Innocence
8. Troubled Spirit
9. Variation on a Theme by Chopin
10. Pierrot
11. Momentum
12. Bourée
13. Open Window
14. Vigil
TIME LAPSE - Track Listings
1. Camino Royale
2. Please Don't Touch
3. Every Day
4. In That Quiet Earth
5. Depth Charge
6. Jacuzzi
7. Steppes
8. Ace of Wands
9. Hope I Don't Wake
10. Red Flower of Tachai Blooms Everywhere
11. Tigermoth
12. Tower Struck Down
13. Spectral Mornings
14. Clocks
GUITAR NOIR - Track Listings
1. Lost in Your Eyes
2. In the Heart of the City
3. Sierra Quemada
4. Vampyre With a Healthy Appetite
5. Take These Pearls
6. Little America
7. There Are Many Sides to the Night
8. Walking Away from Rainbows
9. Like an Arrow
10. Dark as the Grave
11. Paint Your Picture
12. Tristesse
BLUES WITH A FELLING - Track Listings
1. Born in Chicago
2. Stumble
3. Love of Another Kind
4. Way Down South
5. Blue Part of Town
6. Footloose
7. Tombstone Roller
8. Blues With a Feeling
9. Big Dallas Sky
10. To the 13th Floor
11. So Many Roads
12. Solid Ground
THERE ARE MANY SIDES - Track Listings
1. Horizons
2. Black Light
3. Skye Boat Song
4. Time Lapse at Milton Keynes
5. Beja Flor
6. Kim
7. Second Chance
8. Oh, How I Love You
9. Journey
10. Bacchus
11. Walking Away from Rainbows
12. Cavalcanti
13. Andante in C
14. Concerto in D [Largo]
15. Blue Part of Town
16. Ace of Wands
17. Cinema Paradiso
18. End of Day
MIDSUMMER NIGHTS DREAM - Track Listings
1. Palace of Theseus
2. Form in Wax
3. By Paved Fountain
4. Titania
5. Set Your Heart at Rest
6. Oberon
7. Within This Wood
8. In the Beached Margent of the Sea
9. Between the Cold Moon and the Earth
10. Puck
11. Helena
12. Peaseblossom, Cobweb, Moth & Mustardseed
13. Mountains Turned into Clouds
14. Lunatic, The Lover & The Poet
15. Starlight
16. Lysander & Demetrius
17. Celebration
18. All Is Mended
DARKTOWN - Track Listings
1. Omega Metallicus - Steve Hackett,
2. Darktown - Julian Colbeck, Steve Hackett, Roger King, Ian McDonald
3. Man Overboard - Steve Hackett,
4. Golden Age of Steam - Steve Hackett, Roger King, Jerry Peal
5. Days of Long Ago - Billy Budis, , Steve Hackett
6. Dreaming With Open Eyes - John Hackett, Steve Hackett, Jerry Peal
7. Twice Around the Sun - Ben Fenner, Steve Hackett, Roger King,
8. Rise Again - Billy Budis, , Aron Friedman, Steve Hackett
9. Jane Austen's Door - Steve Hackett, Roger King
10. Darktown Riot - Steve Hackett, Roger King
11. In Memoriam - Steve Hackett, Roger King,
SKETCHES OF SATIE - "Sketches of Satie" is a collection of Erik Satie's compositions for piano, rearranged and performed by Steve Hackett (guitar) and his brother John (flute). The songs translate so well to flute and guitar, it's hard to believe they weren't originally composed for these instruments.
Fans of early Genesis won't be surprised by Hackett's virtuosity; the revelation here is John Hackett on flute. John's playing is so natural and fluent, it seems almost divinely inspired. On the first six tracks (Gnossiennes 3, 2 and 1 and Gymnopédies 3, 2 and 1), Steve provides subtle and steady accompaniment, allowing John's flute to handle the melodies. The next three tracks (the "Pièces Froides") highlight Steve on guitar, but John rejoins him for the rest of the album. The performances exhibit a hypnotic, haunting, and exotic beauty. Steve Hackett again demonstrates why he's one of the world's best and most versatile guitarists; by ceding the spotlight to his brother, he exhibits admirable modesty and restraint.
You don't have to be a fan of Satie or Hackett to enjoy this - just someone who enjoys gentle instrumental music that stimulates the mind while calming the soul.
Track Listings
1. Gnossienne No. 3
2. Gnossienne No. 2
3. Gnossienne No. 1
4. Gymnopédie No. 3
5. Gymnopédie No. 2
6. Gymnopédie No. 1
7. Pièeces Froides No. 1 Airs À Faire Fuir I
8. Pièces Froides No. 1 Airs À Faire Fuir II
9. Pièces Froides No. 2 Danse de Travers II
10. Avant Dernières Pensées Idylle À Debussy
11. Avant Dernières Pensées Aubade À Paul Dukas
12. Avant Dernières Pensées Méditation À Albert Roussel
13. Gnossienne No. 4
14. Gnossienne No. 5
15. Gnossienne No. 6
16. Nocturnes No. 1
17. Nocturnes, No. 2
18. Nocturnes, No. 3
19. Nocturnes No. 4
20. Nocturnes No. 5
FEEDBACK 86 - Track Listings
1. Cassandra
2. Prizefighters
3. Slot Machine
4. Stadiums of the Damned
5. Don't Fall
6. Oh How I Love You
7. Notre Dame des Fleurs
8. Gulf
METAMORPHEUS - Ever since his days as the guitarist for Genesis, Steve Hackett has been setting new standards for his instrument. Matchless versatility combined with extraordinary passion has transformed him through time into a musician's musician. In addition to his work in progressive rock, Steve Hackett has also shown remarkable dedication in the pursuit of his classical side. To date he has released 5 acoustic/classical albums, and has appeared as the featured soloist with the London Chamber Orchestra, earning the respect of both rock contemporaries and classical figures alike.
Metamorpheus, the latest project, is the natural successor to 1997’s A Midsummer Night’s Dream (which spent several weeks in the UK classical charts). It combines nylon strung guitar with orchestra, seamlessly merging small and large musical forces
Track Listings
1. Pool of Memory and the Pool of Forgetfulness
2. To Earth Like Rain
3. Song to Nature
4. One Real Flower
5. Dancing Ground
6. That Vast Life
7. Eurydice Taken
8. Charon's Call
9. Cerberus at Peace
10. Under the World -- Orpheus Looks Back
11. Broken Lyre
12. Severance
13. Elegy
14. Return to the Realm of Eternal Renewal
15. Lyra
TELL WE HAVE FACES - Then you should listen to "Myopia." A percussionist? Check out "What's My Name" and "The Rio Connection." Blues guitarists should take in "Let Me Count The Ways." And for anyone who remembers lullabys, drift off to "Taking The Easy Way Out." This album has many different forms, all stirred with a latin feel. Very original for its time and it still holds up well. It's great fun.
Track Listings
1. Duel
2. Matilda Smith-Williams Home for the Aged
3. Let Me Count the Ways [For Uncle Charlie]
4. Doll That's Made in Japan
5. Myopia
6. What's My Name
7. Rio Connection
8. Taking the Easy Way Out
9. When You Wish Upon a Star
10. Stadiums of the Damned
11. When You Wish Upon a Star
These are Japanese digitally re-mastered Mini LP replica CDs (the OBI Edition).
This Limited Edition Collection has only VERY FEW made world-wide and are immediately Out of Print. Recorded from the finest Original Masters available. Comes with anti-static sleeves similar to Vinyl LPs, Cardboard packaging like an LP, includes extensive Liner Notes Booklet. Actual miniaturized version of the 12inch LP in 4inch CD version.
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"Shelly Manne, Sounds Unheard Of - 180 Gram - CURRENTLY OUT OF STOCK"
SHELLY MANNE - SOUNDS UNHEARD OF – 180 Gram Factory Sealed Audiophile pressed LP.
In 1962, Contemporary Records set out to create the ultimate stereophonic listening experience. Widely acclaimed for both the sonic quality of its recordings and its classic and adventuresome jazz repertoire, Lester Koenig decided to meld these two elements into an album that would test the mettle of any stereo system, while providing listeners with entertaining and unusual treatments of familiar repertoire. Shelly Manne, who was a mainstay of Contemporary's artist roster, and who was acutely aware of the subtleties of sound recording, was the obvious protagonist for such a project. Shelly's arrangements, in which he plays a vast array of exotic and seldom heard percussion instruments (and other objects) in duet with Jack Marshall's nylon string acoustic guitar, were conceived so as to demonstrate to the fullest the capabilities of Contemporary's renowned recording system. Contemporary S9006.
Mastered by Stan Ricker.
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Track Listings
1. Pionciana
2. My Funny Valentine
3. The Continental
4. By Myself
5. Stormy Weather
6. Begin the Beguine
7. Night and Day
8. Makin' Whoopee
9. The Piccolino
10. I'll Remember April
11. The Boy Next Door
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"Peter Green, The Best of Peter Green's - The Anthology Man Of The World 1968-1983 - 180 Gram Double LP"
The Best of Peter Green's - THE ANTHOLOGY MAN OF THE WORLD 1968-1983 - 180 Gram Limited Edition classic double LP SET high-definition Virgin Vinyl pressing for superior fidelity.
Collectors Alert: Many of these Titles will never be available again. Their license to produce these 180 Gram Masterpieces with Universal Records International has Ended. This means that this specific title is now out of print forever and there are very few remaining is sealed condition. This title is going to skyrocket in value & price over the next few months. So Don't Miss Out on being one of the last people to own this outstanding pressing. This is one the last pressing you will ever see at this price. Don't Miss Out.
Peter Green is a genius in the same way that Brian Wilson or Syd Barrett is a genius. Green's genius is so natural--such an extension of who he is--that he can no sooner separate the fact that he has genius from the fact that he has ten fingers...it's just the way it is and it's a part of him. I guess it's only we who don't have this genius that can recognize it in him...it's as if the genius that we don't have is a finger that we are missing.
Peter Green's search for himself has taken him places that few have dared to go, and he's had difficulties since he embarked on this search...alas, a one-way trip. But to hear the music that this man has created gives us a glimpse of his synesthaesic whimsies and wonders.
After departing John Mayall's Blues Breakers with mates John McVie and Mick Fleetwood, Green formed a band that would continue exploration of blues as was going on in the mid- to late-1960's in England with bands like The Yardbirds, The Animals and others. The original Fleetwood Mac could suck in the listener and hold him in the palm of their collective hand. To say that their music had a groove you could fall right into would only be telling half of the story. Do yourself a favor and look up some of their early catalog like "English Rose" or "Then Play On". In particular search for "Chicago 1969", one helluva album!
When Green left the Mac, he was sought after by many other groups, and players would assemble around him just to record. His Splinter Group, too, made some wonderful recordings. This double LP set is a collection of all of Green's early works, and is a great set of tunes to listen to!
If you've ever seen B.B. King or Eric Clapton play, you've seen how the guitar is just a natural part of their body...like the music in the guitarist's head just flows right through into and out of his amp. This is what you get from Peter Green.
TRACKS ARE - SIDE ONE AND TWO ARE ALL FROM FLEETWOOD MAC EXCEPT WHERE NOTED - MAN OF THE WORLD - LONG GREY MARE - FAST TALKING WOMAN BLUES - JUMPING AT SHADOWS (LIVE) - BLACK MAGIC WOMAN (LIVE) - SHOWBIZ BLUES - URANUS (BRUNNING SUNFLOWER BLUES BAND) - OH WELL (LIVE) - IF YOU LET ME LOVE YOU (LIVE) - LAZY POKER BLUES - THE GREEN MANALISHI
SIDES THREE & FOUR ARE ALL FROM PETER GREEN - A FOOL NO MORE - TRIBAL DANCE - APOSTLE - CRYIN' WON'T BRING YOU BACK - WHATCHA GONNA DO? - LOST MY LOVE - SHINING STAR - BIG BOY NOW - SAME OLD BLUES - BANDIT - WHAT AM I DOING HERE
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"Dire Straits, Making Movies - 180 Gram - Silver Sticker"
DIRE STRAITS - MAKING MOVIES - 180 Gram Limited Edition Simply Vinyl classic LP - (made in England - has the best protective packaging I’ve seen) high-definition Virgin Vinyl pressing for superior fidelity. Once this title is sold you will never see this again at this rare collectors price. Don't Miss Out.
LAST COPY FOREVER
The Simply Vinyl Silver Collection is currently the only way a collector can identify if these U.K. Abbey Road Studio pressings are Out of Print First Generation copies of some of the finest heavy vinyl masterpieces ever made.
Mymusicfix has an exclusive list of these Silver Edition titles you will not find at any Audiophile Vinyl Dealer anywhere (Silver Collection refers to the marketing sticker attached on the front and back of the sealed product - not the Second Generation and beyond Gold Stickers).
180 Gram Limited Edition Simply Vinyl classic analog LP (made in England - has the best protective packaging I’ve seen) high-definition Virgin Vinyl pressing for superior fidelity.
Collectors Alert: Many of these Simply Vinyl Titles will never be available again. Their license to produce these 180 Gram Masterpieces with Universal Records International has Ended. This means that this specific title is now out of print forever and there are very few remaining is sealed condition. This title is going to skyrocket in value & price over the next few months. So Don't Miss Out on being one of the last people to own this outstanding pressing.
MAKING MOVIES - On Making Movies, the cinematic quality of these sometimes silly but generally engaging story songs is consistently overwhelmed by its own score, a soundtrack of thundering drums, cascading piano, perpetual-motion grooves, and the clipped lead guitar lines of frontman Mark Knopfler. On "Skateaway," that sound is so engaging and catchy that it makes up for the song's slight lyric (about a girl who roller-skates in traffic), but when Knopfler provides tales that are up to the fanfare, this album is a thing of real beauty. "Romeo and Juliet" is especially strong, since it combines all the pomp with a sweet declaration of love that's downright humble
Track Listings
1. Tunnel of Love
2. Romeo and Juliet
3. Skateaway
4. Expresso Love
5. Hand in Hand
6. Solid Rock
7. Boys
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"Steely Dan, Everything Must Go"
Steely Dan "Everything Must Go" on 180 Gram Limited Edition Vinyl Masterpiece. High-definition Virgin Vinyl pressing for superior fidelity.
If you are a Collector of the top 100 best Lps or singles of all-time this pressing here is one of the rarest and most valuable pressing ever. Don't Miss Out.
Being a part of the vinyl breed who understands that no matter where CD technology has gone or will go, it will never replace the way vinyl breathes life into every track. Audiophile is all about vinyl being a mainstay of listening experience and owning pieces of musical history that will blow any listener away. It is the difference between owning a Ferrari or a Honda Civic.
So enjoy being one of the last people in the world to get your butt up and flip a side of vinyl. Itis the purest form of listening pleasure , not to mention the artistic value of owning a cover of art, -- like posters of your favorite artist. “How we do it: First we hook up a sequence of sleek & slinky musical cells over which we sprinkle the most amusing lyrics. Immediately we get on the horn and round up our swinging sidemen, including but not limited to Keith Carlock (drums), Jon Herrington (guitar), Hugh McCracken (guitar), Ted Baker (keyboards), and yrs. truly, Mssrs. Becker and Fagen, on our respective axes. Next thing you know, the wiggy vocals and stellar solo work are stacked atop the now-realized grooves and harmonies. After mixdown, the finished album reveals to its makers deep subterranean themes and powerful emotional undercurrents that satisfy and surprise at the same time.”
— Walter Becker and Donald Fagen
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Track Listings
1. The Last Mall
2. Things I Miss The Most
3. Blues Beach
4. GodWhacker
5. Slang of Ages
6. Green Book
7. Pixeleen
8. Lunch With Gina
9. Everything Must Go
SKU Number: FOLP 9362484351
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"Crosby, Stills & Nash Five 200 Gram Vinyl Titles"
CROSBY STILLS & NASH OUT OF PRINT CLASSIC RECORDS AUDIOPHILE EDITIONS IN 200 GRAM Pressings.
All out of print & gone everywhere in these factory sealed masterpieces.
COLLECTORS NOTE: THE DEJA VU TITLE ALONE IS SELLING WITHOUT A COVER IN A TEST PRESSING FOR $400 IN THE AUDIOPHILE EDITION. DO YOUR RESEARCH AND SEE HOW RARE THESE 1ST EDITION HEAVY VINYL 200 GRAM PRESSINGS ARE.
THESE MASTERPIECES HAVE OFFICIALLY GONE OUT OF PRINT FOREVER ON SEPTEMBER 1ST 2007. THESE AUDIOPHILE GEMS WILL GO THRU THE ROOF AS THE MOST VALUED PRESSING EVER ON VINYL. MYMUSICFIX HAS SEEN SOME OF THESE TITLES SELL FOR $300+ IN THE OUT OF PRINT COLLECTORS MARKET - DON'T MISS OUT ON SOME OF OUR LAST COPIES FOREVER.
Classic Records has proven to be an Audiophile Company second to none in the new millennium. But Classic Records, unlike other top Audiophile Companies, does not place Limited Edition numbers on their LP jackets.
CROSBY, STILLS, NASH & YOUNG - DÉJÀ VU – FACTORY SEALED 200 GRAM CLASSIC RECORDS. Rated the 61st best LP of all-time PLUS NEIL YOUNG
Less than a year after the release of CSN's groundbreaking debut, the group returned with Stephen Stills's (singing hit song, "Carry On",) former Buffalo Springfield cohort/rival Neil Young augmenting the threesome. The result is a less concentrated but more kinetic creation; Young swims through the celestial harmonies of rock's best trio. With classics like "Almost Cut My Hair" DÉJÀ VU is teeming with early '70s FM staples, including "Helpless," "Teach Your Children," , the hit "Woodstock" (penned by Joni Mitchell) , "Our House" and much more.
Track Listings
Side One
1. Carry On
2. Teach Your Children
3. Almost Cut My Hair
4. Helpless
5. Woodstock
Side Two
1. Deja Vu
2. Our House
3. 4 + 20
4. Country Girl
5. Everybody I Love You
CROSBY STILLS AND NASH DEBUT LP - 200 GRAM CLASSIC RECORDS
This is CROSBY STILLS & NASH Debut Album – That was mastered from the Original Session Tapes (and Graham Nash has recently stated this was the 1st time this master session tape was ever used. The fact was this tape was never used on the original release pressings just the second and 3rd generation clones from the master) to 200 Gram Heavy Virgin Vinyl by Classic Records and is the best Audiophile pressing ever of this masterpiece.
You are diffently in the studio with the Group in this rare pressing.+
One of the major Super Groups of the late sixties, CROSBY, STILLS & NASH dominated the charts and influenced many musicians with their skillful harmonizing and folk-rock sound. This debut Album was well-received and began an association that would last in varying combinations for 25 years.
Contains the classic – SWEET JUDY BLUE EYES rated the 41st best single in Rock N Roll – MARAKESH EXPRESS – GUINNEVERE – YOU DON’T HAVE TO CRY – PRE-ROAD DOWNS – WOODEN SHIPS – LADY OF THE ISLAND – HELPLESSLY HOPING – LONG TIME GONE – 49 – BYE-BYES ABSOLUTELY ONE OF THE BEST OF THE GROUP’S ALBUM OF ALL-TIME
Steven Stills/Steven Stills, - With this 1970 self-titled solo effort, Stephen Stills, like his bandmates of CSN&Y had decided to explore other musical avenues. Featuring Jimi Hendrix, who died prior to the album's release on Old Times Good Times. The London session also allowed Stills to finally team up with Eric Clapton on Go Back Home. Spawning the mega-hit Love The One You're With. The album is a masterful mix of the southern California folk pop sound that Stills helped forge, blended with the Latin, swamp and blues influences that he was ready to express. Also collaborating are John Sebastian, Rita Coolidge, David Crosby, Graham Nash and Cass Elliot. Engineered by Andy Johns and arranged in part by Arif Mandrin.
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Track Listings
1. Love The One You're With
2. Do For The Others
3. Church ( Part of Someone)
4. Old Times Good Times
5. Go Back Home
6. Sit Yourself Down
7. To A Flame
8. Black Queen
9. Cherokee
10. We Are Not Helpless
DAVID CROSBY - This title is the 200 gram CLASSIC RECORDS. David Crosby's debut solo album If I Could Only Remember My Name is a one-shot wonder of dreamy but ominous California ambience. The songs range from brief snapshots of inspiration (the angelic chorale-vocal showcase on "Orleans" and the a cappella closer, "I'd Swear There Was Somebody Here") to the full-blown, rambling Western epic "Cowboy Movie", and there are absolutely no false notes struck or missteps taken. No one before or since has gotten as much mileage out of a wordless vocal as Crosby does on "Tamalpais High (At About 3)" and "Song With No Words (Tree With No Leaves)", and because the music is so relaxed, each song turns into its own panoramic vista. Those who don't go for trippy Aquarian sentiment, however, may be slightly put off by the obscure, cosmic storytelling of the gorgeous "Laughing" or the ambiguous (but pointed) social questioning of "What Are Their Names", but in actuality it is an incredibly focused album. Even when a song as pretty as "Traction in the Rain" shimmers with its picked guitars and autoharp, the album is coated in a distinct, persistent menace that is impossible to shake. It is a shame that Crosby would continue to descend throughout the remainder of the decade and the beginning of the next into aimless drug addiction, and that he would not issue another solo album until 18 years later. As it is, If Only I Could Only Remember My Name is a shambolic masterpiece, meandering but transcendently so, full of frayed threads. Not only is it among the finest splinter albums out of the CSNY diaspora, it is one of the defining moments of hung-over spirituality from the era.
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Track Listings
1. Music is Love
2. Cowboy Movie
3. Tamalpais High (at about 3)
4. Laughing
5. What Are Their Names
6. Traction In The Rain
7. Song With No Words (Tree With No Leaves)
8. Orleans
GRAHAM NASH SONGS FOR BEGINNERS - 200 GRAM CLASSIC RECORDS . - "...a surprisingly restrained and beautiful production." - Rolling Stone, 1971
Singer-songwriter and Rock and Roll Hall of Famer Graham Nash first rose to fame with British Invasion hit makers The Hollies. He went on to co-found the legendary rock super groups Crosby, Stills & Nash and CSN&Y, and remains active with both configurations. Throughout it all, Nash has also pursued an acclaimed solo career, beginning with the 1971 gem Songs For Beginners
Military Madness
Simple Man
Man In The Mirror
Better Days
There's Only One
Wounded Bird
Sleep Song
I Used To Be A King
Chicago
Be Yourself
We Can Change The World
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"The Move, Looking On - OBI Mini LP Replica In A CD - Japanese pressing - Limited Edition"
THE MOVE – LOOKING ON This is a Japanese re-mastered Mini OBI LP replica Limited Edition Collection – only 2,000 Collector pieces made world-wide and are immediately Out of Print.
TREMENDOUSLY RARE OUT OF PRINT MASTERPIECE AND OUR LAST COPY FOREVER. THIS PRESSING IS SELLING FOR $300 AT THE ONLY OTHER SITE THAT HAS THIS LEFT IN SEALED CONDITION.
In the wake of The Move's SHAZAM album, singer Carl Wayne departed & leader Roy Wood recorded a solo album, BOULDERS (which saw release in 1973). When he returned, he invited friend Jeff Lynne (who'd replaced him in The Nightriders / The Idle Race) to join, and the 2 hatched the idea of creating a new band to replace The Move, which would include classical instruments and experimental ideas: The Electric Light Orchestra. LOOKING ON was the first result, though their record company (at least temporarily) nixed the idea of a name-change, purely for "commercial" reasons".
This is one WILD album. As much of a major shift as SHAZAM was from earlier Move records, LOOKING ON is an even bigger departure. Both Wood & Lynne, whose earlier sound & styles were quite similar, come across doing & sounding almost completely unlike anything either of them had done before! Loud, heavy, ponderous, explosive, and downright bizarre are a few words that come to mind. This album is NOT an easy "first listen"! There's the ominous "Looking On", the growling-yet-bouncy "Turkish Tram Conductor Blues", the ethereal "What?" and the noisy "When Alice Comes Back To The Farm", with its almost honky-tonk piano. Things get extremely strange on Jeff Lynne's "Open Up Said The World To The Door"-- you have to HEAR this one, you still won't believe it! The one almost "normal" track is "Brontosaurus", a single recorded earlier, and I believe the only song here that includes departed bassist Rick Price. "Feel Too Good" makes for a relentless, hard-driving 9-minute finale. (But watch out for the "surprise" epilogue!) I've long considered this a "flawed experiment"; when they returned for their next outing, MESSAGE FROM THE COUNTRY, everything they were working toward seemed to fall in place!
Track Listings - THIS IS THE LP TRACK LISTING BUT THE CD CONTAINS 10 ADDITIONAL BONUS TRACKS NOT LISTED
1. Looking On
2. Turkish Tram Conductor Blues
3. What?
4. When Alice Comes Back to the Farm
5. Open Up Said the World at the Door
6. Brontosaurus
7. Feel Too Good
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"Lynyrd Skynyrd, Nuthin' Fancy - OBI Mini LP Replica In A CD - Japanese"
LYNYRD SKYNYRD - NUTHIN' FANCY - ONE OF OUR LAST COPIES OF THIS OUT OF PRINT LIMITED EDITION FOREVER. DON'T MISS OUT.
MOST OF THE TITLES ARE TOTALLY GONE FROM THE COLLECTORS MARKET AND ARE PRICELESS COLLECTIBLES.
This is a Japanese digitally re-mastered Mini LP replica Limited Edition Collection with OBI sash down the front – only 2,000 Collector pieces made world-wide and are immediately Out of Print. Recorded from the finest Original Masters available. Comes with anti-static sleeves similar to Vinyl LPs, Cardboard packaging like an LP. Actual miniaturized version of the 12” LP in 4” CD version.
Comes with sleeves similar to Vinyl LPs, Cardboard packaging like an ORIGINAL LP. Actual miniaturized version of the 12” LP in 4” CD version.
Beyond the tragedy, the history, the raging guitars and the killer songs, ultimately, Lynyrd Skynyrd is about an indomitable will. About survival of spirit; unbowed, uniquely American, stubbornly resolute.
With their first set of new studio material since 2003’s Vicious Cycle, legendary rock band Lynyrd Skynyrd returns with God & Guns, due out September 29 on Loud & Proud/Roadrunner Records. Recorded in Nashville in 2008-2009, the project was interrupted—but, tellingly, not ended—by the deaths of founding member/keyboardist Billy Powell and longtime bassist Ean Evans earlier this year.
Driven by core members Gary Rossington (guitar), Johnny Van Zant (vocals) and Rickey Medlocke (guitar), along with longtime drummer Michael Cartellone, Lynyrd Skynyrd have recorded an album (“under duress, as usual,” according to Van Zant) that very much lives up to the legacy begun some 35 years ago in Jacksonville, Florida, and halted for a decade by the 1977 plane crash that killed three band members, including Ronnie Van Zant and Steve Gaines. Since then, the band tragically lost Allen Collins, Leon Wilkeson and Huey Thomasson, yet they rock on.
With the passing of Powell and Evans, “a lot of people probably expected us to say enough is enough,” admits Medlocke. But that would not be the way of this Rock & Roll Hall of Fame powerhouse. With a catalog of over 60 albums and sales beyond 30 million, Lynyrd Skynyrd remains a cultural icon that appeals to all generations, and God & Guns is a fitting addition to the canon. The Skynyrd Nation awaits.
“We wanted to show the people that not only are we doing the old material, keeping the music going, but we still have some new tricks up our sleeves, too,” says founding guitarist Gary Rossington.
Returning to the studio after the death of Powell, whose keyboards can be heard on more than half the songs on God & Guns, was “very difficult, I ain’t gonna lie to you,” says Van Zant. “But we got through it, as Lynyrd Skynyrd seems to always do. Music’s a great healer. These songs needed to be out there, this record needed to be made. Gary, Rickey and myself just said ‘let’s go for it, let’s get this thing done.’”
Unfortunately, coping with loss is familiar to this band. “We just kind of fell back in,” says Rossington. “We’ve been doing this a long time, so you just kind of do what you do. As you get older, you get a little more used to it. You know it’s coming, and it’s coming to you, too. I just thank God for every day and all the time I had with the guys that aren’t with us anymore.”
The crying is over and now it’s time to rock. “We’ve had some really bad moments this year already, and I’m glad we’re able to pick ourselves up by our boot straps and just continue to play,” says Medlocke. “For us to weather through this makes this record even more special. I’m sure Billy and Ean are looking down upon us with big smiles.”
With noted rock producer Bob Marlette, input from guitarist John 5, and a wealth of material written by the band and a cadre of elite Skynyrd-minded songwriters, a remarkable album emerged. “We never really worked with producers that well, we kind of always wanted to do it our way,” admits Rossington. “But Bob Marlette came on and he’s such a great guy; he figured out how to talk to us musically, and we became friends instantly. He had a lot of fresh ideas and ways to do things, and also wanted to capture the old sounds, too.”
Of John 5, Rossington adds, “he’s probably one of the best guitar players I’ve ever played with, and I’ve played with a lot of great ones. He just lives with a guitar on him, and he knows that neck like nobody I’ve ever seen.”
With a backbone of Southern rock and country, passionate Van Zant vocals, and trademark layered guitars, God & Guns manages to maintain the iconic Skynyrd punch while sounding completely contemporary. Sure to attract attention in these politically divided times is the title track, which harbors a sense of menace and unwillingness to back down that hearkens back to Skynyrd’s earliest days. The band knows the song, and others like “That Ain’t My America,” will have their critics, but Medlocke says listeners should get beyond the title.
“It’s not just the words ‘God and guns.’ you gotta look past that and look at what this country was founded on: freedom,” Medlocke says. “Everybody should be able to make their own decisions and not be led around by a nose ring and told what to do and when to do it.”
And if some critics don’t like it, “that’s called freedom of choice,” says Medlocke, who carries his Native American heritage with pride. “I’m sure some critics will look at it, God & Guns, the rednecks are back.’ Well, the guys in this band aren’t rednecks, Rickey Medlocke’s the only damn redneck in this band ‘cause I got red skin.”
The title track, along with the unmistakable Skynyrd bite of the first single “Still Unbroken,” form thematic songs for an album laden with attitude, heart and purpose. “Skynyrd’s about tradition,” says Medlocke. “We are guys that don’t go around preaching about our own personal or political beliefs, although I’m sure you could probably guess mine. In this record is personal tragedy, personal relationships and being on the road, all under that umbrella of real life. That’s what we think, that’s what we believe, and we stand next to that title, God & Guns.”
To portray Skynyrd as a bunch of “gun nuts” would be incorrect, according to Van Zant. “I’m kind of like Ronnie, ‘handguns are made for killing,’ and I’ve never seen anybody shoot a deer with a .38,” he says. “I do own a bunch of rifles, I live out in the swamp, and you’ve got to protect yourself.”
Skynyrd is a band, after all, that has never shied away from standing up and speaking for a segment of the population whose voices are seldom heard. “Everybody’s so scared to say stuff these days, that’s not what I’m about,” says Van Zant. “We live in America, we can speak our minds. These are our values. That doesn’t mean we’re always right in everybody’s mind. Hopefully, we don’t offend a bunch of people. And if we do, well, get a record deal, man, and make your own songs.”
This is a band well aware of the responsibility that comes with putting the name ‘Lynyrd Skynyrd’ on anything, be it an album or a concert. “We feel like we have to keep the standards high,” says Rossington. “I wouldn’t put this record out, I’d fight not to, if I didn’t think it was good.”
And so Skynyrd stands, “still unbroken,” in 2009. “People may say, ‘they need the money,’ well I don’t think any of us need the money,” Van Zant says. “It’s just that we love the music, it’s bigger than the money, it’s not even about that any more. We have to make a living, sure, but it’s about the legacy of Lynyrd Skynyrd, and what it stands for, what the fans are all about. There’s nothing like getting out there playing a great show with Skynyrd and seeing people love this music.”
Adds Rossington, “We’re still standing, still keeping the music going.
"Pronounced" is a great album. "Street Survivors" and "Gimme Back My Bullets" (which is SO underrated!) are great, too, and "Nuthin' Fancy" is a gem, but the greatest studio album ever put out by Skynyrd has to be "Second Helping." Buy them all (and also "One More From The Road [Deluxe Edition]" and, if you want to hear what the new version of the band sounds like, "Edge Of Forever"), but put this album at the top of the list.
NUTHIN FANCY - HAS TWO BONUS TRACKS NOT LISTED
1. Saturday Night Special
2. Cheatin' Woman
3. Railroad Song
4. I'm a Country Boy
5. On the Hunt
6. Am I Losin'
7. Made in the Shade
8. Whiskey Rock-A-Roller
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"The Who, 19 CD Box Set - Japanese OBI Mini Replica LP in a CD"
THE WHO Japanese OBI MINI REPLICA LP TITLES making a 19 CD Box Set - plus A collectors bonus MY GENERATION box that comes with the main box - Japanese OBI MINI REPLICA BOX SET - ONE OF OUR LAST SETS FOREVER.
THIS COLLECTION IS SO RARE THAT ONLY ONE SITE HAS A COPY FOR THIS BOX SET FOR SALE AND THE ARE SELLING IT FOR $2500. THAT'S HOW RARE THIS JAPAN COLLECTION IS IN THE COLLECTORS MARKET STILL SEALED.
Japanese re-mastered Mini LP replica Limited Edition Collection
Recorded from the finest Original Masters available. Each title Comes with anti-static sleeves similar to Vinyl LPs, Cardboard packaging exact to the original LP, Rsealable plastic wrap cases for protection of each collectible
Actual miniaturized version of the 12” LP in 4” CD version
Special VERY RARE LIMITED EDITION BOX SET ONLY PRODUCED ON FUTURES FOR THIS ONE TIME PRESSING -- were only available in Japan.
These are Japanese digitally re-mastered Mini LP replica CDs (the OBI Edition).
This Limited Edition Collection has only VERY FEW made world-wide and are immediately Out of Print. Recorded from the finest Original Masters available. Comes with anti-static sleeves similar to Vinyl LPs, Cardboard packaging like an LP, includes extensive Liner Notes Booklet. Actual miniaturized version of the 12inch LP in 4inch CD version.
TITLES THAT ARE INCLUDED IN THIS BOX SET ARE: Extremely limited edition Japan-only 19 CD boxset featuring all of The Who's studio albums, the BBC Sessions, three soundtracks and more, all housed in miniature LP sleeves and packaged in one box! Now, this is what Rock 'N' Roll is all about!
First-pressing-only 19 CD box set containing paper-sleeve editions of
"My Generation", "A Quick One", "Who Sell Out", "Tommy", "Live at
Leeds", "Who's Next", "Quadrophenia"(2CD), "Odds and Sods", "Who By
Numbers", "Who Are You", "Face Dances", "It's Hard", "BBC Sessions" and
the soundtracks of "Tommy", "Quadrophenia" and "The Kids Are Alright".
Track Listings
1. Out In The Street
2. I Don't Mind
3. Good's Gone
4. La-La-La Lies
5. Much Too Much
6. My Generation
7. Kids Are Alright
8. Please, Please, Please
9. It's Not True
10. I'm A Man
11. Legal Matter
12. Ox
13. Circles
14. I Can't Explain
15. Bald Headed Woman
16. Daddy Rolling Stone
17. Leaving Here (Alternate)
18. Lubie (Come Back Home)
19. Shout & Shimmy
20. Heat Wave
21. Motoring
22. Anytime You Want Me
23. Anyhow, Anywhere, Anyway (Alternate)
24. Instant Party Mixture
25. I Don't Mind (Full Length Version)
26. Good's Gone (Full Length Version)
27. My Generation (Instrumental Version)
28. Anytime You Want Me (A Cappella Version)
29. Legal Matter
30. My Generation
31. Run Run Run
32. Boris The Spider
33. I Need You
34. Whiskey Man
35. Heatwave
36. Cobwebs & Strange
37. Don't Look Away
38. See My Way
39. So Sad About Us
40. Quick One
41. Batman
42. Bucket T
43. Barbara Ann
44. Disguises
45. Doctor, Doctor
46. I've Been Away
47. In The City
48. Happy Jack (Acoustic Version)
49. Man With Money
50. My Generation/Land Of Hope & Glory
51. Armenia City In The Sky
52. Heinz Baked Beans (More Music)
53. Mary Ann With The Shaky Hand(Premier Drums/Radio London)
54. Odorono (Radio London)
55. Tattoo (Radio London) (Church Of Your Choice)
56. Our Lvoe Was (Radio London) (Pussycat)/Speakeasy/Rotosound Strings
57. I Can See For Miles
58. I Can't Reach You
59. Medac
60. Relax (Rotosound Strings Demo)
61. Silas Stingy
62. Sunrise
63. Real Pt.1
64. Real Pt.2 (Top Gear)
65. Glittering Girl (Coke 2)
66. Melancholia (Bag O'nails)
67. Someone's Coming (John Mason's Cars) (Rehearsal)
68. Jaguar (John Mason's Cars) (Reprise)
69. Early Morning Cold Taxi (Coke 1)
70. Hall Of The Mountain King (Radio One) (Boris Mix)
71. Girl's Eyes (Odorono) (Final Chorus)
72. Mary Ann With The Shakey Hand (Alternative Version)
73. Glow Girl
74. Overture
75. It's A Boy
76. 1921
77. Amazing Journey
78. Sparks
79. Eyesight To The Blind (The Hawker)
80. Christmas
81. Cousin Kevin
82. Acid Queen
83. Underture
84. Do You Think It's Alright
85. Fiddle About
86. Pinball Wizard
87. There's A Doctor
88. Go To The Mirror
89. Tommy Can You Hear Me?
90. Smash The Mirror
91. Sensation
92. Miracle Cure
93. Sally Simpson
94. I'm Free
95. Welcome
96. Tommy's Holiday Camp
97. We're Not Gonna Take It
98. Heaven & Hell
99. I Can't Explain/Chat 1
100. Fortune Teller
101. Tattoo/Chat 2
102. Young Man Blues/Chat 3
103. Substitute
104. Happy Jack
105. I'm A Boy/Chat 4
106. Quick One, While He's Away
107. Amazing Journey/Sparks/Chat 5
108. Summertime Blues
109. Shaking All Over
110. My Generation/Chat 6
111. Magic Bus
112. Baba O'riley
113. Bargain
114. Love Ain't For Keeping
115. My Wife
116. Song Is Over
117. Getting In Tune
118. Going Mobile
119. Behind Blue Eyes
120. Won't Get Fooled Again
121. Pure & Easy
122. Baby Don't You Do It
123. Naked Eye
124. Water
125. Too Much Of Anything
126. I Don't Even Know Myself
127. Behind Blue Eyes
128. I Am The Sea
129. Real Me
130. Quadrophenia
131. Cut My Hair
132. Punk & The Godfather
133. I'm One
134. Dirty Jobs
135. Helpless Dancer
136. Is It In My Head
137. I've Had Enough
138. 5:15
139. Sea & Sand
140. Drowned
141. Bell Boy
142. Doctor Jimmy
143. Rock
144. Love Reign O'er Me
145. I'm The Face
146. Leaving Here
147. Baby Don't You Do It
148. Summertime Blues
149. Under My Thumb
150. Mary Anne With The Shaky Hand
151. My Way
152. Faith In Something Bigger
153. Glow Girl
154. Little Billy
155. Young Man Blues
156. Cousin Kevin Model Child
157. Love Ain't For Keeping
158. Time Is Passing
159. Pure & Easy
160. Too Much Of Anything
161. Long Live Rock
162. Put The Money Down
163. We Close Tonight
164. Postcard
165. Now I'm A Farmer
166. Water
167. Naked Eye
168. Slip Kid
169. However Much I Booze
170. Squeeze Box
171. Dreaming From The Waist
172. Imagine A Man
173. Success Story
174. They Are All In Love
175. Blue Red & Grey
176. How Many Friends
177. In A Hand Or A Face
178. Talk (Live)/Squeeze Box (Live)
179. Behind Blue Eyes (Live)
180. Dreaming From The Waist (Live)
181. New Song
182. Had Enough
183. 905
184. Sister Disco
185. Music Must Change
186. Tick Of The Light
187. Guitar & Pen
188. Love Is Coming Down
189. Who Are You
190. No Road Romance
191. Empty Glass
192. Guitar & Pen (Olympic 78 Mix)
193. Love Is Coming Down (Work-In-Progress Mix)
194. Who Are You (Lost Verse Mix)
195. You Better You Bet
196. Don't Let Go The Coat
197. Cache Cache
198. Quiet One
199. Did You Steal My Money
200. How Can You Do It Alone
201. Daily Records
202. You
203. Another Tricky Day
204. I Like Nightmares
205. It's In You
206. Somebody Saved Me
207. How Can You Do It Alone (Live)
208. Quiet One (Live)
209. Athena
210. It's Your Turn
211. Cooks County
212. It's Hard
213. Dangerous
214. Eminence Front
215. I've Known No War
216. One Life's Enough
217. One At A Time
218. Why Did I Fall For That
219. Man Is A Man
220. Cry If You Want
221. It's Hard (Live)
222. Eminence Front (Live)
223. Dangerous (Live)
224. Cry If You Want (Live)
225. My Generation (Radio 1 Jingle)
226. Anyway, Anyhow, Anywhere
227. Good Lovin'
228. Just You & Me, Darling
229. Leaving Here
230. My Generation
231. Good's Gone
232. La La La Lies
233. Substitute
234. Man With Money
235. Dancing In The Street
236. Disguises
237. I'm A Boy
238. Run Run Run
239. Boris The Spider
240. Happy Jack
241. See My Way
242. Pictures Of Lily
243. Quick One (While He's Away)
244. Substitute (Version 2)
245. Seeker
246. I'm Free
247. Shakin' All Over/Spoonful
248. Relay
249. Long Live Rock
250. Boris The Spider (Radio 1 Jingle)
251. Overture From Tommy
252. Prologue 1945
253. Captain Walker/It's A Boy
254. Bernie's Holiday Camp
255. 1951/What About The Boy?
256. Amazing Journey
257. Christmas
258. Eyesight To The Blind
259. Acid Queen
260. Do You Think It's Alright? Pt.1
261. Cousin Keven
262. Do You Think It's Alright? Pt.2
263. Fiddle About
264. Do You Think It's Alright? Pt.3
265. Sparks
266. Extra Extra Extra
267. Pinball Wizzard
268. Champagne
269. There's A Doctor
270. Go To The Mirror
271. Tommy Can You Hear Me?
272. Smash The Mirror
273. I'm Free
274. Mother & Son
275. Sensation
276. Miracle Cure
277. Sally Simpson
278. Welcome
279. T.V. Studio
280. Tommy's Holiday Camp
281. We're Not Gonna Take It
282. See Me, Feel Me/Listening To You
283. My Generation
284. I Can't Explain
285. Happy Jack
286. I Can See For Miles
287. Magic Bus
288. Long Live Rock
289. Anyway, Anyhow, Anywhere
290. Young Man Blues
291. My Wife
292. Baba O'riley
293. Quick One
294. Tommy, Can You Hear Me?
295. Sparks
296. Pinball Wizzard
297. See Me, Feel Me
298. Join Together/Roadrunner/My Generation
299. Won't Get Fooled Again
300. I Am The Sea
301. Real Me
302. I'm One
303. 5:15
304. Love Reign O'er Me
305. Bell Boy
306. I've Had Enough
307. Helpless Dancer
308. Doctor Jimmy
309. Zoot Suit
310. High Heel Sneakers
311. Get Out & Stay Out
312. Four Faces
313. Joker James
314. Punk & The Godfather
315. Night Train
316. Louie Louie
317. Green Onions
318. Rhythm Of The Rain
319. He's So Fine
320. Be My Baby
321. Da Doo Ron Ron
322. I'm The Face
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